After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious lifeform, and they soon realize that its life cycle has merely begun.
Ellen Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
After her last encounter, Ellen Ripley crash-lands on Fiorina 161, a maximum security prison. When a series of strange and deadly events occur shortly after her arrival, Ripley realizes that she has brought along an unwelcome visitor.
Charles S. Dutton,
200 years after her death, Ellen Ripley is revived as a powerful human/alien hybrid clone. Along with a crew of space pirates, she must again battle the deadly aliens and stop them from reaching Earth.
A seemingly indestructible android is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
After a daring mission to rescue Han Solo from Jabba the Hutt, the rebels dispatch to Endor to destroy a more powerful Death Star. Meanwhile, Luke struggles to help Vader back from the dark side without falling into the Emperor's trap.
Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a Wookiee and two droids to save the galaxy from the Empire's world-destroying battle station, while also attempting to rescue Princess Leia from the evil Darth Vader.
In the distant future, the crew of the commercial spaceship Nostromo are on their way home when they pick up a distress call from a distant moon. The crew are under obligation to investigate and the spaceship descends on the moon afterwards. After a rough landing, three crew members leave the spaceship to explore the area on the moon. At the same time as they discover a hive colony of some unknown creature, the ship's computer deciphers the message to be a warning, not a distress call. When one of the eggs is disturbed, the crew realizes that they are not alone on the spaceship and they must deal with the consequences.Written by
(at around 1h 50 mins) During Ripley's final log entry, she identifies herself as the "3rd officer." She is technically the 3rd in command, or "2nd officer." (Dallas is Captain, Kane is the 1st officer, Ripley is the 2nd officer). See more »
This is the worst shit I've ever seen, man.
What you say? You got any biscuits over there?
Here's some cornbread.
I am cold.
Still with us, Brett?
Oh, I feel dead.
Anybody ever tell you you look dead, man?
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The title of the movie is slowly created one line at a time at the top of the screen during the opening credits, starting out with the I, then vertical lines in L and E, and the forward slash in A and the slash in N (so it looks like / I I I \), then the ensuing lines of each letter are added slowly one at a time until the title is fully visible. See more »
The laserdisc release features a separate section with the scenes not included in the theatrical release. This is the new material:
After being awakened from hypersleep, Kane wanders out to the kitchen to prepare breakfast, he says "Rise and shine Lambert".
The crew gathers on the bridge and listens to the signal coming from the derelict craft.
Lambert confronts Ripley about Ripley's reluctance to let them back on the ship with Kane and the facehugger. Lambert tells Ripley, Parker and Brett how the face hugger got on Kane.
Ripley radios down to Parker and Brett to see how they're progressing on the repairs, Parker and Ripley exchange tense words over the radio.
After the face hugger's acid eats through a few floors, the crew returns to the med lab to check up on Kane's condition. Ripley sees an X-Ray of Kane's chest and asks Ash, "What is that dark stain on Kane's lung?" The rest of the crew starts asking if Kane's going to live, Dallas tells everyone to go back to work.
After Kane's death, the crew gathers around at the meal table to discuss what they're going to do with the escaped alien. Brett announces the cattle-prod idea and suggests "catching" the alien in a net.
Longer version of Brett's death. This scene had Brett frozen with fear as the alien grabs his head, he yells "Parker!" and then blood poors from beneath his cap. The alien lifts him up into the landing gear and Ripley and Parker come rushing in. Parker stands where Brett once was and looks up; blood drips on his shirt and then Brett's cattle prod falls to Parker's feet.
Part of a scene that involves Parker, Ripley and Lambert trying to flush the alien out of the air lock. As they are about to succeed, an alarm is triggered and the alien rushes out of the airlock (getting its tail caught in the closing door, and spilling acid that causes a hull breach). Parker falls unconciously to the floor, Ripley does the same and Lambert and Ash come to their rescue. Ripley vocalizes her suspicions about Ash by accusing him of setting the alarm off.
After Dallas's disappearance, Ripley (being suspicious of Ash) asks Lambert if she's ever slept with him.
The build-up to Lambert's death is much longer. (Watch the alien's shadow on the wall, it walks in, crouches down, then immediately gets up) A scene where we see the alien enter, crouch down and wait until Lambert notices its presence was cut. When Lambert sees the alien, it uncoils its tail and walks (like a crab) over to Lambert.
After Ripley discovers the remains of Parker and Lambert, she makes another discovery. Ripley enters the landing gear area of the Nostromo (where Brett got killed) and discovers a cocooned Dallas and Brett mutating into an egg. Dallas pleads, "Kill me". Ripley flames Dallas and the Brett-egg and then runs to set the ship on self-destruct.
"Alien" is not just the monster, it's the atmosphere and the way you feel!
In "Alien" we follow a seven man crew en-route to earth on board the huge space freighter "Nostromo". The crew is in cryosleep, but the on board computer interrupts the journey when a foreign radio signal is picked up. It originates from an uninhabited planet and the crew lands to investigate. There they make contact with an alien life-form...
What makes Alien so great is the constant feel of uneasiness. Right from the beginning you have a feeling that something is wrong. The crew is not particularly friendly towards each other, and you truly feel all the in-group tension. The ship itself is a huge worn out industrial-style maze of halls and corridors, and it feels more like a prison than a place to live. It is as if not only the alien but also the ship itself is against the humans. The Alien itself is the scariest monster in history because it is a ruthless, soul-less parasite completely devoid of any human or civilized traits. The design of the monster is a stroke of genius. Sure it has a humanoid form, but it has no facial traits or anything else which could give away emotions or intentions. Its actions reveals no weaknesses nor civilized intelligence. The Alien is more or less the opposite of everything human and civilized, plus the creature is more well-adapted to the inhumane interior of the ship than the humans who build it. To sum up, you then have a setting where the humans are caught in a web of in-group tensions, an inhospitable ship and the perfect killer which thrives in the ships intestines. You almost get the feel that the humans are the ones who are alienated to each other and to their own ship.
Ridley Scott tells the story with a perfectly synchronized blend of visuals and sounds.
The actors do a superb job, portraying their characters in a subtle but very realistic way. The seven man crew is not a bunch of Hollywood heroes. They are ordinary people with strengths and weaknesses, likes and dislikes. In this way they all seem so fragile when confronted with the enemy.
As mentioned the ship is very claustrophobic and Ridley Scott adds to the eeriness by using camera movement, lights and shadows in an effective way. The living quarters are bright and should be comfortable to the crew, but there is something sterile about it all. The rest of the ship is basically a huge basement.
The music by Jerry Goldsmith underlines the eeriness so well, and the movie wouldn't have worked without his score. Combined with the sounds of the ship it all adds to the uneasiness.
This is not a story about heroic people who boldly teams up against evil. It's a story about ordinary people facing true fear, which is the fear without a face. The fear we can't understand and can't negotiate with, because its only goal is to survive on the expense of us. It's a story where some people bravely fight back whilst others are destroyed by the terror. It's a story where people a killed in a completely random way. There is no higher-order justice behind who gets to live and who dies. All seven characters are just part of a race where the fittest - not necessarily the most righteous - will prevail, and all seven characters start the race on an equal footing. None of them are true heroes, and none of them are true villains.
All the above makes Alien so great as a horror movie. The terror isn't just the Alien itself, it's the entire atmosphere which gets so effectively under your skin, that you just can't shrug it off after the end credits like you can with so many other Hollywood horror movies. The title "Alien" doesn't just refer to the monster, it is the theme of the movie and it is the feeling you have during and after the movie. 9/10
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