In the distant future, the crew of the commercial spaceship Nostromo are on their way home when they pick up a distress call from a distant moon. The crew are under obligation to investigate and the spaceship descends on the moon afterwards. After a rough landing, three crew members leave the spaceship to explore the area on the moon. At the same time as they discover a hive colony of some unknown creature, the ship's computer deciphers the message to be a warning, not a distress call. When one of the eggs is disturbed, the crew realizes that they are not alone on the spaceship and they must deal with the consequences.Written by
To stop patrons barfing in his washrooms, a theatre owner in Texas cut out the entire chest bursting scene from his print. Leaving audiences see Kane's funeral right after his revival in sick bay, and confused as to why the crew was apparently hunting down the face hugger again. See more »
(at around 20 mins) When the members of the Nostromo are exiting the ship to leave to explore the Alien ship,the wind is blowing at high speeds, yet when the steam is shown from the lift it is just drifting down rather than being blown away at high speed. other scenes show the high wind blowing. See more »
This is the worst shit I've ever seen, man.
What you say? You got any biscuits over there?
Here's some cornbread.
I am cold.
Still with us, Brett?
Oh, I feel dead.
Anybody ever tell you you look dead, man?
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The title of the movie is slowly created one line at a time at the top of the screen during the opening credits, starting out with the I, then the slash in A and the backslash in N, and then the vertical lines in L and E (so it looks like / I I I \). After that, the ensuing lines of each letter are added slowly one at a time until the title is fully visible. See more »
Other changes in the Director's Cut: As in the Theatrical Version, Brett stops in the the landing strut chamber to wet his face during the sequence where he is searching for Jones the cat. In the Directors Cut, we see a shot looking up at the landing strut with the Alien rather unexpectedly in the foreground, head bowed, swaying from side to side. Another change concerning Jones the cat: when Ripley encounters the Alien in the corridor having just set the self-destruct sequence, instead of the Alien looking curiously at Jones in his cat box, it gives him a brief glance before violently swatting the box aside. (This explains why in both versions of the film the cat box is flipped on its side and not where Ripley left it when she returns to collect Jones.) See more »
'Alien' is one of those special films that have aged very, very well. Even now, after nearly 40 years, everything about it just feels fresh. The restrained, natural performances by the fantastic cast; the outstanding production design; the beautiful, ominous score by Jerry Goldsmith; the realistic, "lived-in" look of space-freighter Nostromo's interior: it actually feels less dated than many science fiction films that were made much later, which is quite an astonishing feat. Even the (what now must be considered) "retro" technology inside the ship doesn't necessarily have to be viewed as anachronistic in the face of our obvious recent advancements, because it's the most simple technological equipment that is usually robust enough to survive the longest under harsh conditions (like the extreme temperatures in space).
I feel it's especially hard for science fiction films to stand the test of time - which is kind of inherent to the genre I suppose - and 'Alien' simply remains an outstanding achievement in that regard. It's a testament to the talent of everyone involved, but especially to the vision of director Ridley Scott. The film was crafted with so much love for every little detail, and the designs by Moebius, Chris Foss - and in particular the Lovecraftian horrors unleashed by Swiss surrealist H.R. Giger - are among the best and most iconic in any science fiction film. This isn't just an outstanding, timeless piece of entertainment: it's a work of art. 10 Stars out of 10.