Ellen Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
After her last encounter, Ellen Ripley crash-lands on Fiorina 161, a maximum security prison. When a series of strange and deadly events occur shortly after her arrival, Ripley realizes that she has brought along an unwelcome visitor.
Charles S. Dutton,
200 years after her death, Ellen Ripley is revived as a powerful human/alien hybrid clone. Along with a crew of space pirates, she must again battle the deadly aliens and stop them from reaching Earth.
In the distant future, the crew of the commercial spaceship Nostromo are on their way home when they pick up a distress call from a distant moon. The crew are under obligation to investigate and the spaceship descends on the moon afterwards. After a rough landing, three crew members leave the spaceship to explore the area on the moon. At the same time as they discover a hive colony of some unknown creature, the ship's computer deciphers the message to be a warning, not a distress call. When one of the eggs is disturbed, the crew realizes that they are not alone on the spaceship and they must deal with the consequences.Written by
Walter Hill's re-write included making two of the characters female (and adding a romantic subplot that was deleted) as well as altering much of the dialogue written by Dan O'Bannon and Ronald Shusett. The original dialogue had been described as "poetic", but Hill dismissed it as pretentious and obscure. See more »
When attempting to remove the facehugger by cutting one of its fingers, acid is bled out getting on the gauze, the surgical instrument and the floor but only melts away the floor. See more »
This is the worst shit I've ever seen, man.
What you say? You got any biscuits over there?
Here's some cornbread.
I am cold.
Still with us, Brett?
Oh, I feel dead.
Anybody ever tell you you look dead, man?
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The title of the movie is slowly created one line at a time at the top of the screen during the opening credits, starting out with the I, then the forward slash in A and the slash in N, and then the vertical lines in L and E (so it looks like / I I I \). After that, the ensuing lines of each letter are added slowly one at a time until the title is fully visible. See more »
Other changes in the Director's Cut: As in the Theatrical Version, Brett stops in the the landing strut chamber to wet his face during the sequence where he is searching for Jones the cat. In the Directors Cut, we see a shot looking up at the landing strut with the Alien rather unexpectedly in the foreground, head bowed, swaying from side to side. Another change concerning Jones the cat: when Ripley encounters the Alien in the corridor having just set the self-destruct sequence, instead of the Alien looking curiously at Jones in his cat box, it gives him a brief glance before violently swatting the box aside. (This explains why in both versions of the film the cat box is flipped on its side and not where Ripley left it when she returns to collect Jones.) See more »
"In space, no one can hear you scream." This remains my favourite tagline ever for a movie. When 'Alien' was released in 1979, it caused almost as much talk as 'Star Wars' did when released two years earlier. The science fiction genre was being revolutionized at this time and 'Alien' had a horror characteristic to it which was psychological, visually striking and compelling with the type of strength in silence not seen since '2001: A Space Odyssey' in 1968. Definitely a big influence in blockbuster film making, 'Alien' has spawned three sequels so far and is a great horror/science-fiction classic not to be missed. It is director Ridley Scott's best effort on the big screen for making fear the best character in the film.
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