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Alien (1979)

R | | Horror, Sci-Fi | 22 June 1979 (USA)
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After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious lifeform, and they soon realize that its life cycle has merely begun.

Director:

Ridley Scott

Writers:

Dan O'Bannon (story), Ronald Shusett (story) | 1 more credit »
Popularity
369 ( 27)
Top Rated Movies #51 | Won 1 Oscar. Another 16 wins & 20 nominations. See more awards »

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Cast

Complete credited cast:
Tom Skerritt ... Dallas
Sigourney Weaver ... Ripley
Veronica Cartwright ... Lambert
Harry Dean Stanton ... Brett
John Hurt ... Kane
Ian Holm ... Ash
Yaphet Kotto ... Parker
Bolaji Badejo ... Alien
Helen Horton Helen Horton ... Mother (voice)
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Storyline

In the distant future, the crew of the commercial spaceship Nostromo are on their way home when they pick up a distress call from a distant moon. The crew are under obligation to investigate and the spaceship descends on the moon afterwards. After a rough landing, three crew members leave the spaceship to explore the area on the moon. At the same time as they discover a hive colony of some unknown creature, the ship's computer deciphers the message to be a warning, not a distress call. When one of the eggs is disturbed, the crew realizes that they are not alone on the spaceship and they must deal with the consequences. Written by blazesnakes9

Plot Summary | Plot Synopsis

Taglines:

A word of warning... See more »

Genres:

Horror | Sci-Fi

Motion Picture Rating (MPAA)

Rated R for sci-fi violence/gore and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

UK | USA

Language:

English

Release Date:

22 June 1979 (USA) See more »

Also Known As:

Alien: The Director's Cut See more »

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Box Office

Budget:

$11,000,000 (estimated)

Opening Weekend USA:

$3,527,881, 25 May 1979, Limited Release

Gross USA:

$78,900,000

Cumulative Worldwide Gross:

$203,630,630
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (2004 Director's Cut)

Sound Mix:

70 mm 6-Track (70 mm prints)| Dolby (as Dolby Stereo)

Color:

Color (Eastman Kodak)| Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

The production designers, in an attempt to cut costs while still remaining creative, constructed several of the sets in such a way as to make them usable in more than one scene. A good example of this can be seen in the "Space Jockey" room (the room in which the away team discovers the skeletal remains in the alien ship) and the "egg chamber". The sets were designed so that the skeleton and the revolving disc, on which it sits, could be removed and the empty space then redressed with the "eggs", creating, combined with a matching matte painting, a vast cavern full of potential alien spawn. See more »

Goofs

(at around 55 mins) When the crew is sharing a meal after Kane regains consciousness, Parker is shown to be talking. The shot changes to show the crew from a closer angle, and although we can still hear Parker speaking, he is shown to be laughing softly and not speaking at all. See more »

Quotes

[first lines]
Brett: This is the worst shit I've ever seen, man.
Parker: What you say? You got any biscuits over there?
Ripley: Here's some cornbread.
Parker: Cornbread. Yeah.
Lambert: I am cold.
Parker: Still with us, Brett?
Brett: Right.
Kane: Oh, I feel dead.
Parker: Anybody ever tell you you look dead, man?
See more »

Crazy Credits

The title of the movie is slowly created one line at a time at the top of the screen during the opening credits, starting out with the I, then vertical lines in L and E, and the forward slash in A and the slash in N (so it looks like / I I I \), then the ensuing lines of each letter are added slowly one at a time until the title is fully visible. See more »

Alternate Versions

The laserdisc release features a separate section with the scenes not included in the theatrical release. This is the new material:
  • After being awakened from hypersleep, Kane wanders out to the kitchen to prepare breakfast, he says "Rise and shine Lambert".
  • The crew gathers on the bridge and listens to the signal coming from the derelict craft.
  • Lambert confronts Ripley about Ripley's reluctance to let them back on the ship with Kane and the facehugger. Lambert tells Ripley, Parker and Brett how the face hugger got on Kane.
  • Ripley radios down to Parker and Brett to see how they're progressing on the repairs, Parker and Ripley exchange tense words over the radio.
  • After the face hugger's acid eats through a few floors, the crew returns to the med lab to check up on Kane's condition. Ripley sees an X-Ray of Kane's chest and asks Ash, "What is that dark stain on Kane's lung?" The rest of the crew starts asking if Kane's going to live, Dallas tells everyone to go back to work.
  • After Kane's death, the crew gathers around at the meal table to discuss what they're going to do with the escaped alien. Brett announces the cattle-prod idea and suggests "catching" the alien in a net.
  • Longer version of Brett's death. This scene had Brett frozen with fear as the alien grabs his head, he yells "Parker!" and then blood poors from beneath his cap. The alien lifts him up into the landing gear and Ripley and Parker come rushing in. Parker stands where Brett once was and looks up; blood drips on his shirt and then Brett's cattle prod falls to Parker's feet.
  • Part of a scene that involves Parker, Ripley and Lambert trying to flush the alien out of the air lock. As they are about to succeed, an alarm is triggered and the alien rushes out of the airlock (getting its tail caught in the closing door, and spilling acid that causes a hull breach). Parker falls unconciously to the floor, Ripley does the same and Lambert and Ash come to their rescue. Ripley vocalizes her suspicions about Ash by accusing him of setting the alarm off.
  • After Dallas's disappearance, Ripley (being suspicious of Ash) asks Lambert if she's ever slept with him.
  • The build-up to Lambert's death is much longer. (Watch the alien's shadow on the wall, it walks in, crouches down, then immediately gets up) A scene where we see the alien enter, crouch down and wait until Lambert notices its presence was cut. When Lambert sees the alien, it uncoils its tail and walks (like a crab) over to Lambert.
  • After Ripley discovers the remains of Parker and Lambert, she makes another discovery. Ripley enters the landing gear area of the Nostromo (where Brett got killed) and discovers a cocooned Dallas and Brett mutating into an egg. Dallas pleads, "Kill me". Ripley flames Dallas and the Brett-egg and then runs to set the ship on self-destruct.
See more »

Connections

Referenced in 42nd Street Forever: Blu-ray Edition (2012) See more »

Soundtracks

Eine kleine Nachtmusik'
by Wolfgang Amadeus Mozart (as W.A. Mozart)
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Frequently Asked Questions

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User Reviews

My favourite tagline for a movie
22 January 2005 | by WalterFrithSee all my reviews

"In space, no one can hear you scream." This remains my favourite tagline ever for a movie. When 'Alien' was released in 1979, it caused almost as much talk as 'Star Wars' did when released two years earlier. The science fiction genre was being revolutionized at this time and 'Alien' had a horror characteristic to it which was psychological, visually striking and compelling with the type of strength in silence not seen since '2001: A Space Odyssey' in 1968. Definitely a big influence in blockbuster film making, 'Alien' has spawned three sequels so far and is a great horror/science-fiction classic not to be missed. It is director Ridley Scott's best effort on the big screen for making fear the best character in the film.


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