After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious lifeform, and they soon realize that its life cycle has merely begun.
Ellen Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
After her last encounter, Ellen Ripley crash-lands on Fiorina 161, a maximum security prison. When a series of strange and deadly events occur shortly after her arrival, Ripley realizes that she has brought along an unwelcome visitor.
Charles S. Dutton,
200 years after her death, Ellen Ripley is revived as a powerful human/alien hybrid clone. Along with a crew of space pirates, she must again battle the deadly aliens and stop them from reaching Earth.
A seemingly indestructible android is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a Wookiee and two droids to save the galaxy from the Empire's world-destroying battle station, while also attempting to rescue Princess Leia from the mysterious Darth Vader.
In the distant future, the crew of the commercial spaceship Nostromo are on their way home when they pick up a distress call from a distant moon. The crew are under obligation to investigate and the spaceship descends on the moon afterwards. After a rough landing, three crew members leave the spaceship to explore the area on the moon. At the same time as they discover a hive colony of some unknown creature, the ship's computer deciphers the message to be a warning, not a distress call. When one of the eggs is disturbed, the crew realizes that they are not alone on the spaceship and they must deal with the consequences.Written by
One hundred thirty alien eggs were made for the egg chamber inside the downed spacecraft. See more »
(at around 13 mins) The planetoid where the Nostromo finds the alien spaceship is said to be 1200 kilometers diameter with a surface gravity of .86G. (Earth is 1G.) The horizon would curve visibly on a moon that tiny. By Newton's Law of Gravitation, a body that small would need a density of 50 grams per cubic centimeter to achieve .86G. This is more than twice the density of osmium, the densest element known. It's unlikely that the moon would be made of a massive ball of some hitherto unheard-of, super-dense, stable element. Together, this indicates that the size of the moon is incorrect. (Visible in 2003 director's version, but not in 1979 theatrical version) See more »
This is the worst shit I've ever seen, man.
What you say? You got any biscuits over there?
Here's some cornbread.
I am cold.
Still with us, Brett?
Oh, I feel dead.
Anybody ever tell you you look dead, man?
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The title of the movie is slowly created one line at a time at the top of the screen during the opening credits, starting out with the I, then the forward slash in A and the slash in N, and then the vertical lines in L and E (so it looks like / I I I \). After that, the ensuing lines of each letter are added slowly one at a time until the title is fully visible. See more »
Effects, and Sound Effects changed in the 25th Anniversary Edition:
While Ripley is contacting traffic control now, the last shot of the Nostromo in space now has a star field where there was just a Black Background.
The Alien Transmission and the keyboard button sound effects are much different from the original deleted scene.
The shot of the Nostromo rolling 92 degrees to port now features a star field to the left of the planet where there was just black.
When parker gets drenched in Brett's blood, the sound effects of the cattle prod hitting the ground is different the original deleted scene.
When Ripley tries to contact Lambert and Parker through the coms after leaving Mother's chamber, static can be heard when she tries a different channel.
The further we go in special effects, the more movies show us and ignore the unseen, the more people will return to dark horrors like this one.
It's hard to look at this film without considering the sequels and knowing the alien itself, however when made the alien was mostly unseen and a mystery. It's difficult to forget what you've seen, but it's important to approach this film first if possible rather than joining the series late.
It's amazing that this is over 20 years old - apart from the actors looking so young, the film doesn't feel dated at all. The sci-fi visions here are still bleak and futuristic as they were then - this is not the Star Trek vision of the future. The foreboding exists long before John Hurt spills his secret, Scott's direction is excellent throughout. Once the alien is "born" the tension is cranked up and the characters dispatched one by one (a formula we know oh-so well now!)
However here the characters are not merely alien-food but have some dimension to them. Weaver is excellent, while the support cast is full of great support actors (Stanton, Kotto, Hurt, Skerritt, Holm), but of course the real star is the one we see least of.
We barely see the alien in full detail, most of the time it is set in shadows, moving with deadly intent.The alien here is not simply a killing machine as seen in later films but is cruel with it. Witness the alien trap a female crew member and slowly rub up her leg, moving with slow seductive movements before moving with terrifying speed to kill another crew member sneaking up behind it. The slow movements betray the alien's pure cruelty.
The film is a study in terror. It may not be as action packed as the other films in the series but it brings the claustrophobia of being hunted to a new level.
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