This last film in the 'Airport 'series ends fast - with an SST (supersonic transport); Concorde. Joe Patroni (George Kennedy) Murray deal with nuclear missiles being fired at the'speed-bird...
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This last film in the 'Airport 'series ends fast - with an SST (supersonic transport); Concorde. Joe Patroni (George Kennedy) Murray deal with nuclear missiles being fired at the'speed-bird' (the actual British Concorde's ATC name) as a passenger on-board is carrying documents which can bring down the titan of a large military contractor, and in order to prevent this, the CEO tries to arrange for the plane's mid-air destructoon, using the French air force as a patsy.who are under the impression they're bringing down a compromised plane.Written by
Planes, helicopters, and flying machines featured in the film included: an Aérospatiale-BAC Concorde 101, a Dassault Mystère Falcon 20 GF jet, a McDonnell Douglas F-4 Phantom II jet, an Air France Boeing 727-228 Advanced aircraft, an Air France A300B2-101 Airbus, a pair of U.S. Air Force McDonnell Douglas F-15E Eagle jets, a KLM McDonnell Douglas DC-9-32 jet, various French Air Force Dassault Mirage F1 jets, a Gates Learjet 25A light-aircraft, an Air France Sud Aviation SE 210 Caravelle III aircraft, an Agusta-Bell 206 JetRanger II helicopter, and a Raven S-50A hot-air balloon. See more »
Even though the Concorde's engines were shut down during the missile attack, they still would have been very hot. The two heat-seeking missiles would not have missed. See more »
Capt. Joe Patroni:
Goddamnn! He fired one! Missiles at five o'clock! Those missiles have a narrow seeking angle, no more than thirty degrees. If we make enough violent maneuvers we may be able to cause a fly-by. Son of a bitch!
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In deleted scenes shown in the television version, Brian Morrison appears again for the third time as Joseph Patroni, Jr, having previously been seen as Joe Jr. in deleted scenes in the television version of Airport '77, as well as being seen on-screen as Joe Jr. in the theatrical version of Airport 1975. Jessica Walter is also seen in a deleted flashback scene as Helen Patroni. See more »
Faster than the speed of sound And sillier than anything you can ever imagine!
All the entries in the 70's disaster movie franchise "Airport" – a total of four movies spread over one decade – have been chastised by critics as well as regular action movie fanatics for being too grotesque and ludicrous. Me, personally, I liked the three previous installments a lot, but I can't but admit that the swan song in the series is a completely laughable effort. The supposedly adrenalin-rushing script is absurd, the stereotypical characters are cartoonish, the acting performances are wooden and the action sequences are downright hilarious. The set-up and plot of "The Concorde" is faithful to the previous movies. We have a cast full of acclaimed names, often in inferior little roles, and a screenplay that brings together pretty much everything that can go wrong on an intercontinental flight. The prestigious Concorde aircraft is ready to fly from New York to Paris and then onwards towards Moscow in celebration of the 1980 Olympics. One of the passengers is the female journalist Maggie Whelan, who's in possession of some important evidence that will unmask her ex-fiancée Kevin Harrison as an illegal weapon dealer. It's most vital for him that Maggie never reaches Moscow and thus he tries to kill her, as well as the rest of the Concorde passengers and crew, subsequently through nuclear missiles and sabotage. Luckily for the passengers, the Concorde has two of the world's biggest macho men behind the steering wheel with the French Captain Paul Metrand and the American veteran pilot Joe Patroni. "The Concorde: Airport 79" is a dumb and fairly pathetic film, but fortunately enough it remains amusing and never bores for one second. The sight of an hi-tech advanced airplane making loops in order to evade missiles is definitely bad in an entertaining way and the hammy performances of A-list stars are fun to observe as well. Particularly Robert Wagner is tremendous as the villain. With his straight face and eloquent monologues, he represents the prototype of Bond-movie villains and I strongly suspect that Mike Myers hired him to play Number Two in the Austin Powers' movie solely based on his performance here. Alain Delon looks quite bored and soft-erotica star Sylvia "Emmanuelle" Kristel is rather unnoticeable when she keeps her clothes on. Fun bloke George Kennedy is the only actor who appeared in all four of the "Airport" movies, so it's truly a shame that he plays his biggest role in the worst of the series. The dialogs are lame and some of the clichéd sub plots are horrendous (does there really have to be an emergency donor organ transport in every disaster movie?), but I certainly didn't regret the two hours of my life that I wasted on watching this film.
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