A supersonic airborne disaster. In order to survive a flight headed for the Moscow Olympics, passengers of the Concorde must endure aerial acrobatics to dodge missiles and survive a device that decompresses the plane.
This last film in the 'Airport 'series ends fast - with an SST (supersonic transport); Concorde. Joe Patroni (George Kennedy) Murray deal with nuclear missiles being fired at the'speed-bird' (the actual British Concorde's ATC name) as a passenger on-board is carrying documents which can bring down the titan of a large military contractor, and in order to prevent this, the CEO tries to arrange for the plane's mid-air destructoon, using the French air force as a patsy.who are under the impression they're bringing down a compromised plane.Written by
The picture was a critical and commercial failure at the box-office with the lowest financial take of the four "Airport" movies. See more »
When Concorde starts breaking up and losing fuel the pilot's advised to make for Innesbruck, the nearest airport. George Kennedy says that's about 15 minutes and there's not enough fuel. Alain Delon says they can land on the snow field at the ski resort and advise control who contact the ski patrol advising them that they have no more than 8 or 9 minutes to prepare things but the speed Concorde flies they wouldn't have even that. See more »
Capt. Joe Patroni:
I've flown just about every type of aircraft through three wars and forty pounds. Only thing I'm afraid of is heights. Are you afraid of anything, Metrand?
Capt. Paul Metrand:
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In deleted scenes shown in the television version, Brian Morrison appears again for the third time as Joseph Patroni, Jr, having previously been seen as Joe Jr. in deleted scenes in the television version of Airport '77, as well as being seen on-screen as Joe Jr. in the theatrical version of Airport 1975. Jessica Walter is also seen in a deleted flashback scene as Helen Patroni. See more »
In the beginning, there was "Airport", an A-list, ultra-slick adaptation of a best-selling book, nominated for multiple Oscars (including Best Picture!) Then came "Airport 1975" with too much humor (intentional and unintentional) and Karen Black flying a damaged 747. "Airport '77" had a private plane sinking beneath the ocean while rich passengers dropped like flies. In an inane attempt to continue the exploitation of the original film (and cash in on the notoriety of the then-new Concorde, the fastest commercial plane ever), this film came along and ended the series for good. A year later, "Airplane!" would slam the coffin lid and seal it with it's hysterical sending up of the many clichés of the air-disaster genre. Here, Wagner is a high-powered industrialist who's been selling arms to enemies of the U.S. When his reporter mistress Blakely is informed of this, he tries kill her. After she boards the Concorde en route to Moscow, he (ludicrously) decides to pull out every stop in the book to demolish the aircraft, even though it is full of Olympians, TV journalists, music legends, human organs and little old ladies who can't stay out of the bathroom! The entire film is both stagnant and simultaneously uproarious at the same time. The director, writer, editor and the actors can't seem to get ANYTHING right! (See Blakely's ridiculously unconvincing newscast in which she never once looks into the camera and in which clips from events AS THEY ARE HAPPENING IN REAL TIME parade across the screen.) It also contains some of the most abominable blue-screen and model special effects ever to be seen in a major studio film. The cast of the film is huge and full of names, though most of them are given, literally, nothing to do but embarrass themselves. Wagner looks very tired and hardly bothers to vary his facial expressions. Blakely works hard but is defeated by the stupidity of the character and the script. Kennedy (the one actor who was in all four films) is promoted to Captain this time, but is reduced to cracking crude sexual jokes and (in the film's most celebratedly lunatic scene) cracking open the cockpit window and shooting off a flare! Haggard, former screen-god Delon as another pilot tries to beat preposterous dialogue like, "Your hair is my french fries" in his affair with sex kitten stewardess Kristel (whose calf-length uniform has a split up to her thigh!) Other oddities include McCambridge spouting a dreadful Russian accent and flouncing around in curtain-like tops as a gymnastics coach, Walker as a pot-smoking sax player, Lewis as a jazz legend (!) who feels she may be losing it, Schreiber as a Russian coach with a deaf daughter (at least she can't hear Lewis singing!) and Raye as a grandma with a bladder control problem (first dentures and now this?! What? Did June Allyson turn the part down?) Special mention must be given to the side-splitting appearance of Tyson as a mother escorting (!) a frozen heart to her dying son. (Since when do parents go off and collect organs while their kid is expiring somewhere else??) In an apparent attempt to disappear from this rancid film, she hides her face under every imaginable object. Already buried under Victoria Principal's fright wig from "Earthquake", she uses hankies, a clutch purse, blankets, ANYTHING to obscure her face from being seen, eventually turning away from the camera entirely! The endless cast list also contains Albert as the airline owner and Danning as his trophy wife, Davidson as a reporter, Charo as a pushy passenger attempting to stowaway a Chihuahua and Marcovicci who gets another special mention. Unbelievably, she plays a 24 year-old gymnast (!) going for her third gold medal, which is crazy enough except that she was 31 in real life! Just one more nutty aspect of this thoroughly retarded film. Perhaps the most bizarre of all is the fact that the plane goes through several traumas, spinning violently and nearly crashing, yet after a layover in Paris, virtually every single passenger GETS BACK ON! As if things weren't bad enough, the Olympics that were pushed so heavily in this movie wound up being boycotted that year by the U.S., so the whole film was outdated before it was even released anyway! Good for a few laughs, but worthless as drama.
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