A fictional account of the real life, eleven day, never explained 1926 disappearance of famed murder mystery writer Agatha Christie is presented. On a cold winter day, her damaged car with ...
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Gian Maria Volontè
A fictional account of the real life, eleven day, never explained 1926 disappearance of famed murder mystery writer Agatha Christie is presented. On a cold winter day, her damaged car with her expensive fur coat is found abandoned at the side of a country road. While the authorities initially suspect that she could have committed suicide, her pompous husband, Col. Archibald Christie, who is less than cooperative with the authorities, is adamant that she is still alive. What he doesn't tell them is that he recently asked her for a divorce so that he could marry his secretary, Miss Nancy Neele. Although the divorce request was not a total surprise since she knew of the extramarital affair, Mrs. Christie still did not want to grant him the request since she still loves him. Concurrently, American newspaper columnist Wally Stanton was scheduled to conduct an interview with Mrs. Christie. Since he can no longer do so with her disappearance, Stanton instead tries to find out himself what ...Written by
British writer Kathleen Tynan was so intrigued by the Christie disappearance story, she tried to make a documentary about those eleven days. But when funding fell through, she wrote a screenplay about the incident instead, a fictional version of it. See more »
When typing about the 1st meeting with A.C., he's using only his index fingers and they stay in the center of the keyboard. See more »
Col. Archibald Christie:
Our situation is intolerable. I don't love you and you can not love me. Our marriage is finished. It's over. Agatha, listen to me. I want a divorce. I love Miss Neele and I want to marry her.
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Imaginative tale of the true Agatha Christie mystery
This quirky tale of Dame Agatha Christie's eleven-day disappearance in December1926 is a speculative account of the mystery, combining a romantic interlude, suicide attempt and desperate race to avert the loss of the world's most popular `Queen of Crime'. The film is not exactly in the style of a Christie plot or typical of one, as there are none of the trademark multiple corpses that usually litter her storylines.
With her marriage on the rocks after being asked for a divorce, following closely upon the death of her mother, Agatha Christie seeks refuge from her coldly indifferent husband (a very apt Timothy Dalton), in the North Yorkshire spa town of Harrogate. With the whole country looking for her, Dustin Hoffman is the American reporter, writing for an English paper, who finds, and then seeks to help, her. The difference in stature between the leading protagonists makes for an amusingly incongruous sight on the dance floor, and wisely the invitation to dance the Charleston together is declined. Although Dustin Hoffman's strident journalist strikes a jarring note, Vanessa Redgrave sensitively displays a troubled, if rather elegant, Agatha Christie.
Helen Morse (Picnic at Hanging Rock; Caddie) is delightful as Evelyn Crawley who befriends Agatha, and is very discriminating in her choice of men, making an interesting observation on the unrealistic expectation (by both sexes) of men's fidelity, when she sagely states `Hardly seems worth it. Men change so, that's why choosing is important. Well we can't just let things happen to us.' The fine talents of Timothy West are also involved as the diligent deputy chief constable who withstands Colonel Christie's attempts to quash the hunt for his wife.
When, as expected, her husband's mistress also arrives in Harrogate, Agatha, who had been using her surname as a pseudonym whilst unconvincingly trying to pass herself off as a widow recently returned from South Africa, begins to plot an elaborate revenge. A large part of the film is given to scene setting with nice observations of English class snobbery and a time past. The final part of the film then changes gear from its languorous pace and moves into thriller mode with a race against time.
A fine sense of period detail and Vittorio Storaro's beautifully crafted cinematography enhance this film, with its gentle evocation of the 1920's gentility taking the spa waters for the relief of their multifarious ailments. The famed Victorian architecture borrows from Bath as well as Harrogate, along with York's railway station, and the Old Swan Hotel and Royal Baths are given full promotional treatment.
Although Agatha Christie returned to her husband her marriage finally ended two years later.
In the UK video copies are available through Blackstar and Amazon.
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