A band of mercenaries led by Captain Curry travel through war-torn Congo across deadly terrain, battling rival armies, to steal $50 million in uncut diamonds. But infighting, sadistic rebels and a time lock jeopardize everything.
When his wife and son are brutalized by thugs and a corrupt criminal justice system puts the perpetrators back on the street, a New York City factory worker turns vigilante to find some measure of bloody justice.
Los Angeles private investigator Harry Moseby is hired by a client to find her runaway teenage daughter. Moseby tracks the daughter down, only to stumble upon something much more intriguing and sinister .
A seeming good Samaritan (Debra Winger) hires a private detective (Nolte) to prove a teen sitting in prison on a murder charge is innocent. His investigation discovers deep corruption in a ... See full summary »
10-year-old Harriet dreams of leaving her home, where she doesn't feel she's needed by her mother and sister Gwen. When her mother dies in a car accident, she really starts to make plans ... See full summary »
Evan Rachel Wood,
Mary Stuart Masterson
During World War I, a British aristocrat, an American entrepreneur, and the latter's attractive young daughter, set out to destroy a German battlecruiser, which is awaiting repairs in an inlet just off Zanzibar.
Maltese Falcon is a better movie than the book, and so is this baby. Good as the books are. Of course there would have been neither without the books, but both books wander all over the place, and are not the better for it. Whereas this one, and Maltese and for that matter, Treasure of Sierra Madre, are the richer experiences on the screen for being tightened down. The casting was perfect here. Even Zerbe is a wonderful surprise. The only cavil I have with the overall effect is the dumb title. Terrible. Dog Soldiers would have been fine. But after that, there is not much amiss here. Starting with the dope deal, quite unlike the start of the novel, it moves relentlessly as a snake from then on to its end, which is also unlike the novel, and the better for it. Robert Stone writes some of the, if not THE finest dialog in modern American literature: I have always had problems with his wandering stories, but if it takes them to produce his characters sparkling talk, what the hell, so be it. And what other movie would even THINK of using Hank Snow's Golden Rocket for the music of a great great shootout. Also not in the book. All hands here can be proud of a work that time is gonna treat with the utmost tenderness. If it has one misstep it is right at the first: the explosions tossing Moriarity around are at distinct odds with the slow buildup of the rest of it. But a minor matter, considering how dead on perfect most of the rest of the film is. So good this one is, it's no wonder that the great masses missed it's perfection.
15 of 18 people found this review helpful.
Was this review helpful to you?
| Report this