Richard Hannay, a mining engineer on holiday from the African colonies, finds London socialite life terribly dull. Yet it's more then he bargained for when secret agent, Scudder, bursts ... See full summary »
A man in London tries to help a counterespionage agent. But when the agent is killed and the man stands accused, he must go on the run to both save himself and also stop a spy ring which is trying to steal top secret information.
Richard Hannay is a man of his times: an Edwardian gentleman and adventurer, a mining engineer from South Africa of Scottish origin, who lives by his own standards and wits, upholding a ... See full summary »
It's time for the annual London to Brighton antique car rally, and Alan McKim and Ambrose Claverhouse are not going to let their friendship stop them from trying to humiliate each other. ... See full summary »
A contemporary setting of John Buchan's classic novel - Engineer Richard Hannay finds himself caught up with analyst Kate Maybury, as they race against the clock to save the country from the Thirty Nine Steps.
The year is 1914 and Richard Hannay, Mining Engineer who is visiting Britain for a short time before returning to South Africa, is shocked when one of his neighbours, Colonel Scudder, bursts into his rooms one night and tells him a story that Prussian 'sleeper' agents are planning to pre-start World War I by murdering a visiting foreign minister. However, Scudder is murdered and Hannay is framed for the death by the 'sleepers'. Fleeing to Scotland Hannay attempts to clear his name and to stop the agents with the aid of Alex Mackenzie but not only is he is chased by Chief Supt Lomas for Scudder's death but by the agents who is headed by Appleton who has managed to hide himself in a high-placed position in the British Government...Written by
Whilst in Scotland, as a guest at the ancestral home and on the heaths, Hannay, wears Cherry Red Dr Marten Airwear boots (first invented in 1960). These are first seen under a chair whilst he is changing in the bedroom. See more »
It's hardly fair to compare this to the Hitchcock version (which was made when Buchan was not yet a well-known author). I think the Hitchcock film is the better as a film, although there are a few stodgy moments (with the crofter, for instance), but lots of lovely visual ideas to compensate (the Bridge scene, the missing digit, and the ending). But Hitchcock's is not a filming of Buchan's novel. It's something quite different. The first remake (with Kenneth More) was a remake of the Hitchcock film, not the book. With this version, we were told it would be faithful to the original, but, yes, the ending is stolen from an old Will Hay film (which was very much before its time, with its black humour). So this is not really a remake of the Hitchcock film, but neither is it faithful to Buchan (which I must re-read). But it is enjoyable, the period feel is good, and I personally like Ed Welch's concerto score.
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