Superman returns to Earth after spending five years in space examining his homeworld Krypton. But he finds things have changed while he was gone, and he must once again prove himself important to the world.
Batman must battle former district attorney Harvey Dent, who is now Two-Face and Edward Nygma, The Riddler with help from an amorous psychologist and a young circus acrobat who becomes his sidekick, Robin.
Just before the destruction of the planet Krypton, scientist Jor-El sends his infant son Kal-El on a spaceship to Earth. Raised by kindly farmers Jonathan and Martha Kent, young Clark discovers the source of his superhuman powers and moves to Metropolis to fight evil. As Superman, he battles the villainous Lex Luthor, while, as novice reporter Clark Kent, he attempts to woo co-worker Lois LaneWritten by
Robert Redford, Clint Eastwood and James Caan were all offered the movie's title role. All three turned it down: Redford wanted too much money, Eastwood said he was too busy, and Caan said, "There's no way I'm getting into that silly suit." See more »
Even assuming anybody could fly at speeds greater than the speed of light, it makes no logical sense why that would cause the earth to reverse its rotation. And assuming anything could reverse the rotation of the earth, it also makes no sense why that would result in turning back time. See more »
In the decade of the 1930s, even the great city of Metropolis was not spared the ravages of the worldwide depression. In times of fear and confusion, the job of informing the public was the responsibility of the Daily Planet, a great metropolitan newspaper whose reputation for clarity and truth had become the symbol for hope in the city of Metropolis...
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(In the 188-minute version): The sequence where Burglar (David Baxt) climbs the exterior of a building (at around 1:30:00) is longer. Superman also observes the Burglar while in flight in this version. See more »
We all have unique reasons for loving a film. That's what makes cinema so magical. It's personal. You can love the meat of the movie, or you can love the trimmings.
There's a bunch of good stuff here. Most people my age will refer to "Superman" as THE definitive superhero film. None will ever take it's place. A position no doubt dictated by the age we were when first viewing it. As with films like "Star Wars" and "Raiders of the Lost Ark", WHEN you experience them is just as important as HOW you experience them.
As we age, youth's eyes fade. Cynicism creeps in. Experience leads us to see the many injustices this life offers and we become more critical... less likely to accept that which we would rather believe. After all, an adult who clings to the youthful ideals of wonder is simply naive... right?
To this day, the opening title sequence for "Superman" fills me with the same magical joy it did over twenty years ago. Never was a score so perfectly crafted around a film. John Williams and Richard Donner created such an indelible experience that over 25 yrs later, Bryan Synger will use the same music and theme to bring the magic to a new generation of wondrous eyes.
As for me though, this will always remain the best.
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