Batman must battle former district attorney Harvey Dent, who is now Two-Face and Edward Nygma, The Riddler with help from an amorous psychologist and a young circus acrobat who becomes his sidekick, Robin.
Just before the destruction of the planet Krypton, scientist Jor-El sends his infant son Kal-El on a spaceship to Earth. Raised by kindly farmers Jonathan and Martha Kent, young Clark discovers the source of his superhuman powers and moves to Metropolis to fight evil. As Superman, he battles the villainous Lex Luthor, while, as novice reporter Clark Kent, he attempts to woo co-worker Lois LaneWritten by
Several scenes were shot for the movie, but were not used in the theatrical version. Among them are: extended dialogue scenes between Jor-El and his fellow Kryptonians, a scene of baby Kal-El's space pod flying past the Phantom Zone-trapped villains, a scene of a child Lois Lane seeing Clark Kent running extremely fast from a train window, a scene in which Ma Kent tries to wake up a still-sleeping Clark, additional dialogue between Superman and Jor-El in the Fortress of Solitude, a scene in which Superman is pelted with bullets, fire, and ice as he approaches Luthor's hideout, a scene in which Otis has to feed Luthor's "babies" (some type of animal or monster we never see on-screen), and a scene where Luthor attempts to feed Miss Teschmacher to those same "babies" after she sets Superman free. Although not used in the theatrical cut, most of these scenes were worked into the extended DVD versions. All of the scenes, used in the extended version or not, can be found in the four-disc DVD special edition of the film. See more »
FLIPPED SHOT: During the Air Force One sequence, when Superman first grabs the damaged engine housing, look at the 'S' shield. See more »
In the decade of the 1930s, even the great city of Metropolis was not spared the ravages of the worldwide depression. In times of fear and confusion, the job of informing the public was the responsibility of the Daily Planet, a great metropolitan newspaper whose reputation for clarity and truth had become the symbol for hope in the city of Metropolis...
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Prior to the beginning of the film is a brief "dedicated to Geoffrey Unsworth" message (Unsworth was a cinematographer who died prior to the release.) See more »
Having recently seen the huge disappointment: Superman Returns, I felt an obligation to watch this version to see how it measured up. I couldn't believe my eyes, and ears! 'My God!' I thought, 'Characters that actually interact with one another!'. That is one of the key elements Superman Returns was missing: dialogue. This movie had so much fun with the story, and the characters, that despite its lack of modern effects, it was still immensely enjoyable to watch. There was real character development, real humor (particularly the scenes between Lex and Otis, which I found hysterical) and a palpable chemistry between Lois and Clark/Superman. From the very beginning, this movie grabs you tightly and keeps you interested. It has an enlivening effect on you, where you feel genuinely happy after watching it, which, to my understanding, is what the movies are all about. Gene Hackman had great one-liners, for instance,"Otis, do you know why the number 200 is so vitally descriptive to both you and I? Because it's your weight, and my IQ", and the entire cast sat right. The roles fit, the effects (for their time) were great, and the script was wonderful. It's amazing to me, that movies like this can still hold up against movies that are made with the gross national product of a small country. If you want Superman in all his glory, ignore 'Returns', and pick up this one; you won't be disappointed.
"Otis, do you want to see a very, very long arm?" "Oh no, Mr. Luthor!"
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