An alien orphan is sent from his dying planet to Earth, where he grows up to become his adoptive home's first and greatest superhero.An alien orphan is sent from his dying planet to Earth, where he grows up to become his adoptive home's first and greatest superhero.An alien orphan is sent from his dying planet to Earth, where he grows up to become his adoptive home's first and greatest superhero.
- Nominated for 3 Oscars
- 19 wins & 23 nominations total
Summary
Reviewers say 'Superman' (1978) is celebrated for Christopher Reeve's iconic dual role, groundbreaking special effects, and John Williams' epic score. Richard Donner's direction is highly praised. However, criticisms include slow pacing in the first act, lengthy runtime, and campy portrayal of villains like Lex Luthor. The special effects, though innovative, are noted to have aged. Despite these issues, the film is widely regarded as a classic and a major influence on the superhero genre.
Featured reviews
It remains one of the most fascinating slices of my childhood. The fascination is the same. The same the emotion. And the believe than Christopher Reeves remains the best Superman. Sure, after decades, it could be seen as naive. But its freshness is yhe same. Like the noble moral message.
The Superman movies were favourites of my childhood, but I don't remember them as well as many others. I was never that into superheroes.
Therefore I came to "Superman" with some reluctance, which turned out to be unnecessary. "Superman" still stands up as a pretty fantastic movie, and could probably still be used as a template for the modern superhero movie... not that I've really seen any of those.
It's got decent characters, a decent story, and the effects are still impressive enough. What really sets it apart, though, is the actual chemistry between Reeve and Kidder, and the wit in the screenplay.
Therefore I came to "Superman" with some reluctance, which turned out to be unnecessary. "Superman" still stands up as a pretty fantastic movie, and could probably still be used as a template for the modern superhero movie... not that I've really seen any of those.
It's got decent characters, a decent story, and the effects are still impressive enough. What really sets it apart, though, is the actual chemistry between Reeve and Kidder, and the wit in the screenplay.
This is, for me, the best of all the Superman films. It takes into account the mythos of the most famous superhero ever. The beginning is so incredible. I already knew the story (by the way, I'm not a fan boy, just encountered it along the way). I think that the Superman oeuvre is the best plotted out of all these heroes' stories. We get to see the struggles of the father, Jor-el, dealing with the short-sightedness of the civic leaders. We get set up for a future with the three malcontents who are out there somewhere. We get the storied life of Clark Kent/Superman as a kid and the struggles he faced. We get an explanation for the Fortress of Solitude. And finally, there is an introduction to Lex Luther, the mastermind, who will make Superman's life a continuous battle. Clark has left home and seems to have some real insights. He is prepared. Now the story and future stories will move along. Oh, we will miss the kind and accomplished Christopher Reeve for this and other roles.
It all begins as planet Krypton's world unwinds, as you're packed inside a vessel and assigned, to a place where you'll excel, where folk will come under your spell, the populations of this place are called mankind. You're discovered by a couple and taken in, while growing up, concealing talents that could win, a loss leads you to the arctic, an experience cathartic, but it's Metropolis, where you firmly stick your pin. The Daily Planet is the place you'll ply one trade, Clark Kent assisting Lois on her crusades, your first encounter with Lex Luthor, a somewhat challenging manoeuvre, as you defy Jor-El's mandate, to save the day.
Having recently seen the huge disappointment: Superman Returns, I felt an obligation to watch this version to see how it measured up. I couldn't believe my eyes, and ears! 'My God!' I thought, 'Characters that actually interact with one another!'. That is one of the key elements Superman Returns was missing: dialogue. This movie had so much fun with the story, and the characters, that despite its lack of modern effects, it was still immensely enjoyable to watch. There was real character development, real humor (particularly the scenes between Lex and Otis, which I found hysterical) and a palpable chemistry between Lois and Clark/Superman. From the very beginning, this movie grabs you tightly and keeps you interested. It has an enlivening effect on you, where you feel genuinely happy after watching it, which, to my understanding, is what the movies are all about. Gene Hackman had great one-liners, for instance,"Otis, do you know why the number 200 is so vitally descriptive to both you and I? Because it's your weight, and my IQ", and the entire cast sat right. The roles fit, the effects (for their time) were great, and the script was wonderful. It's amazing to me, that movies like this can still hold up against movies that are made with the gross national product of a small country. If you want Superman in all his glory, ignore 'Returns', and pick up this one; you won't be disappointed.
"Otis, do you want to see a very, very long arm?" "Oh no, Mr. Luthor!"
"Otis, do you want to see a very, very long arm?" "Oh no, Mr. Luthor!"
Storyline
Did you know
- TriviaOn his first day on the set, Marlon Brando suggested to Richard Donner that the cameras roll during rehearsal. Brando reportedly said, "Who knows? We might get lucky." According to Donner, that very first take was the one that was used in the finished film. Brando was notoriously lazy and was constantly pulling little stunts like this to lessen his workload. Christopher Reeve even complained about it in interviews, saying Brando was "phoning it in and it shows!"
- GoofsWhen Jor-El introduces himself in the Fortress of Solitude, he explains that by this time, he will have been dead for thousands of Earth years. Yet during his teaching during Kal-El's journey to Earth from Krypton, Jor-El refers to Einstein's theory of relativity, which wasn't formulated until long after the destruction of Krypton.
- Crazy creditsFor the first few opening credits, the graphics 'soar' towards the viewer. Following the appearance of the 'S' symbol, they change direction and from the film's title onwards, recede into the distance.
- Alternate versionsThe current DVD, in addition to containing the 2000 restored director's cut, has 2 deleted scenes (both of Lex' babies, and seen in the TV edits in their original context), and alternate audio scoring for 8 sequences (including an unreleased alternate pop version of Margot Kidder's "Can You Read My Mind"). The DVD has the 2000 restoration with the following additions / expansions (all of which were seen in previous expanded television versions):
- Some added dialogue when Jor-El is talking with the council.
- The council calls an "Executioner" to hunt and kill Jor-El to keep the rocket from launching.
- Noel Neill and Kirk Alyn's speaking cameos on the train.
- Little girl sees Clark running faster than train, parents call her Lois Lane.
- In the kitchen Martha Kent takes out a box of Cheerios.
- After rescuing Air Force One Superman returns to Fortress of Solitude and has a conversation with his father.
- In Metropolis when the news of Superman comes out, Clark is a spectator. A stranger (played by an uncredited Richard Donner) comments "that'll be the day when a man can fly"; Clark grins.
- While trying to get Luthor's lair Superman goes through machine guns, flame throwers, ice machines with Luthor taunting on loudspeaker.
- The sequence with the Girl Scouts.
- ConnectionsEdited into Superman II (1980)
- How long is Superman?Powered by Alexa
Details
- Release date
- Countries of origin
- Language
- Also known as
- Superman: la película
- Filming locations
- Range Road 264, Blackie, Calgary, Alberta, Canada(The Kents' farm, coordinates: 50.675111, -113.558333)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $55,000,000 (estimated)
- Gross US & Canada
- $134,478,449
- Opening weekend US & Canada
- $7,465,343
- Dec 17, 1978
- Gross worldwide
- $300,478,449
- Runtime2 hours 23 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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