In a crime ridden neighborhood, elderly men and women are bullied by gangs and punks until one old man has had enough.





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Cast overview, first billed only:
... Henry Fancher
... Lillian Gordon
... Simon
... Lieutenant Don Riegel
Rashel Novikoff ... Mrs. Shapiro
... Mrs. Terranova
Albert Ottenheimer ... Mr. Lubin
Lesslie Nicol ... Mrs. Doyle
Ted Butler ... Mr. Johnson
Joseph Sullivan ... Mr. Hegen
Jety Herlick ... Mrs. Mikowski
Mila Conway ... Mrs. Comacho
... Sergeant Doan
Alex Colon ... Sergeant Bermudez
... Ronald (as Larry Scott)


In a crime ridden neighborhood, elderly men and women are bullied by gangs and punks until one old man has had enough.

Plot Summary | Add Synopsis


Nobody hears you scream... and nobody cares! [Video Australia] See more »







Release Date:

26 April 1978 (USA)  »

Also Known As:

O Cerco dos Desordeiros  »

Filming Locations:

Company Credits

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Technical Specs


Sound Mix:


Aspect Ratio:

1.33 : 1
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User Reviews

Terror In the Streets
21 June 2006 | by See all my reviews

Siege is a fine example of the often high quality movies that were made for television in the seventies, many of which tackled serious issues avoided in bigger films or else dealt with them in a more intimate way. The story concerns elderly people living in New York terrorized by street gangs, drug dealers and other such unsavory characters, and lacking the funds to move to the suburbs, trapped in a web of fear from which there seems to be no escape. Filmed on location, and featuring an excellent cast headed by sturdy Martin Balsam and wistful Sylvia Sidney, this one plays out like a kind of naturalistic morality play. Though the story is melodramatic, the movie isn't. At times it's heartbreaking. Connie Bromberg's script pulls no punches when it comes to how the real world actually works (cruelly, unfairly) rather than how it ought to work. In the end Balsam's character finally swings into action, which brings if not a catharsis at least a feeling of (probably temporary) relief. The film is very much a product of its time, when inner city neighborhoods were changing, racially and culturally, and often very painfully, as we see some of the last vestiges of a certain kind of Old World, immigrant culture, once so prominent in many American cities, almost literally vanish before our eyes,--but not without a fight.

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