Wet Gold is the story of a young woman (Laura), who works as a waitress in a cafe. Laura stumbles across a drunk elderly man (Sampson), who fills her with exciting stories of a boat that ... See full summary »
Romantic drama following the fortunes of a drifter named Beaudray Demerille (Peter Fonda) who wins a young orphan named Wanda (13-year-old Brooke Shields) in a poker game and takes her gold... See full summary »
Tilt is the story of a young girl, who is a pinball machine wizard. Because she does not get on with her parents, Tilt is contemplating running away from home, and skipping school one day ... See full summary »
In the Victorian period, two children are shipwrecked on a tropical island in the South Pacific. With no adults to guide them, the two make a simple life together, unaware that sexual maturity will eventually intervene.
The Diamond Trap is the story of a New York City cop (Detective Rollings) and his partner (Brendan). Detective Rollings, a cop on the verge of retirement and in the waiting for a big case, ... See full summary »
Mike is a struggling artist who draws the "Brenda Starr" strip for the papers. When Brenda comes to life in the strip and sees how unappreciated she is by Mike, she leaves the strip. To get... See full summary »
A writer returns home from World War I. He has developed a very bad case of post traumatic stress disorder. He contemplates suicide, but becomes interested in the 12 year old niece of the ... See full summary »
In 1917, in the red light district Storyville, New Orleans, the prostitute Hattie lives with her twelve year-old daughter Violet in the fancy brothel of Madame Nell, where she works. Photographer Ernest J. Bellocq has an attraction to Hallie and Violet and he is an habitué of the whorehouse. One day, Madame Nell auctions Violet's virginity and the winner pays the fortune of US$ 400 to spend the night with the girl. Then Hattie marries a wealthy client and moves to Saint Louis, leaving Violet in the brothel alone. Violet decides to marry Bellocq and she moves to his house. Until the day that Hattie, who has overcome her past, comes to Bellocq's house with the intention to take Violet with her.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
After Violet stands up from trying to have her nude picture taken a man can be seen in the reflective part of the camera. See more »
What will become of her now?
What's going on with you? You don't have to worry about her. She's made a lot of money. She can do as she likes.
She's only twelve. She's completely alone.
Bellocq, you're in love with her.
Don't be absurd.
I've seen it a thousand times. I am old, and I know one thing - life is very long.
See more »
The closing credits include a card that states, "With our gratitude for the priceless music of FERDINAND "JELLY ROLL" MORTON." See more »
Against his own wishes UK censor James Ferman was forced to make minor edits to the original cinema version under the 1978 Protection of Children Act, and pubic hair was optically airbrushed onto a scene where Brooke Shields is sitting with her legs slightly spread so that 'the actual cleft was not visible'. A further cut was also made to remove a very brief shot of her standing up in a bath. The edits were fully waived for the 1987 video release. See more »
"Pretty Baby" (1978): Usually, when a controversial film comes out, the hubbub dies off in a few weeks. Later, people wonder why anyone got upset at all. In this case, I think the opposite is the case. There WAS some buzz about "Pretty Baby" when it premiered in 1978, but NOW? People would be killing the director, photographer, and screen writers in the names of Decency & Righteousness. It's a crazy world. Photographed by Sven Nykvist (Ingmar Bergman's photographer), Louis Malle directed this Polly Platt screenplay about the real life New Orleans documentary photographer E.J. Bellocq. He spent much of his career photographing those no one else would the prostitutes of N.O. - and eventually became involved with a young girl (Brooke Shields) raised by her prostitute single mother (Susan Sarandon), to be a prostitute herself. There's an interesting push/pull to this film. It is SO beautifully photographed, and the prostitutes shown SO human, there is much warmth in the scenes, yet the facts remain difficult to accept life was what it was, and they did what they had to do to survive in the turn-of-the-century South. This is NOT a story of tragedy (except in personal terms that have nothing to do with the profession). Most everyone went about their days in matter-of-fact acceptance of their "station" in life, and did not get ulcers. They had a roof, decent money, good food, servants, and a place to raise their "accident" children. "Pretty Baby" asks you to step outside your contemporary world and standards, and try, just for two hours, to see another point of view. It's an interesting challenge perhaps more now than even a mere 30 years ago.
39 of 46 people found this review helpful.
Was this review helpful to you?
| Report this