A preteen girl lives as a prostitute in New Orleans in 1917.A preteen girl lives as a prostitute in New Orleans in 1917.A preteen girl lives as a prostitute in New Orleans in 1917.
- Nominated for 1 Oscar
- 2 wins & 6 nominations total
Pat Pierre Perkins
- Ola Mae
- (as Pat Perkins)
Storyline
Did you know
- TriviaThe screenplay was based on the first-hand recollections of the operations of New Orleans' "Red Light" prostitution district published in the book "Storyville, New Orleans: Being an Authentic, Illustrated Account of the Notorious Red Light District" by Al Rose. The book contains many of photos of New Orleans prostitutes taken by E.J. Bellocq, the character played by Keith Carradine in the movie.
- GoofsIn one scene, Violet holds a plastic doll as opposed to a composite one. Plastic dolls weren't available until the late 1940s.
- Crazy creditsThe closing credits include a card that states, "With our gratitude for the priceless music of FERDINAND "JELLY ROLL" MORTON."
- Alternate versionsAgainst his own wishes UK censor James Ferman was forced to make minor edits to the original cinema version under the 1978 Protection of Children Act, and pubic hair was optically airbrushed onto a scene where Brooke Shields is sitting with her legs slightly spread so that 'the actual cleft was not visible'. A further cut was also made to remove a very brief shot of her standing up in a bath. The edits were fully waived for the 1987 video release.
- ConnectionsEdited into Chop Suey (2001)
- SoundtracksTiger Rag
(uncredited)
Written by Edwin B. Edwards, Nick LaRocca, Tony Sbarbaro, Henry Ragas and Larry Shields
Performed by Antonio Fargas
Featured review
"Pretty Baby" (1978): Usually, when a controversial film comes out, the hubbub dies off in a few weeks. Later, people wonder why anyone got upset at all. In this case, I think the opposite is the case. There WAS some buzz about "Pretty Baby" when it premiered in 1978, but NOW? People would be killing the director, photographer, and screen writers in the names of Decency & Righteousness. It's a crazy world. Photographed by Sven Nykvist (Ingmar Bergman's photographer), Louis Malle directed this Polly Platt screenplay about the real life New Orleans documentary photographer E.J. Bellocq. He spent much of his career photographing those no one else would the prostitutes of N.O. - and eventually became involved with a young girl (Brooke Shields) raised by her prostitute single mother (Susan Sarandon), to be a prostitute herself. There's an interesting push/pull to this film. It is SO beautifully photographed, and the prostitutes shown SO human, there is much warmth in the scenes, yet the facts remain difficult to accept life was what it was, and they did what they had to do to survive in the turn-of-the-century South. This is NOT a story of tragedy (except in personal terms that have nothing to do with the profession). Most everyone went about their days in matter-of-fact acceptance of their "station" in life, and did not get ulcers. They had a roof, decent money, good food, servants, and a place to raise their "accident" children. "Pretty Baby" asks you to step outside your contemporary world and standards, and try, just for two hours, to see another point of view. It's an interesting challenge
perhaps more now than even a mere 30 years ago.
Details
Box office
- Gross US & Canada
- $5,786,368
- Gross worldwide
- $5,786,368
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