Billy Hayes, an American college student, is caught smuggling drugs out of Turkey and thrown into prison.Billy Hayes, an American college student, is caught smuggling drugs out of Turkey and thrown into prison.Billy Hayes, an American college student, is caught smuggling drugs out of Turkey and thrown into prison.
- Director
- Writers
- Stars
- Won 2 Oscars
- 17 wins & 14 nominations total
Paul L. Smith
- Hamidou
- (as Paul Smith)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This movie is pretty good, but speaking as an American who has lived in Turkey, this movie is a dramatization of a true story. While Turkey certainly has its problems with corruption, this movie is hardly something one should use to form an opinion on Turkey.
It's interesting to note the comments on this movie.
I saw it on TV last night, not for the first time, and I noticed how the Turks in the film are all one-dimensional bad people, and physically ugly to boot. I also read that many of the scenes are completely fictional. I am not one of those people who think that a "true" story must be completely true; I think that the purpose of movies is to entertain, and this one certainly does that, if in a harrowing way. But, given the politics of our time, if the author of the screenplay wanted to create a demon people for dramatic effect, perhaps it would have been better to have set the story in a fictional or unidentified country.
The other observation I would make is, we are not much better than they are. We regularly sentence people to ungodly amounts of prison time for drug offenses, both on a state and federal level. Our prisons are no picnic, either, with many of the same sorts of things that were portrayed in the movie happening right here at home.
So, go check "the man in the mirror" before you condemn anyone else.
I saw it on TV last night, not for the first time, and I noticed how the Turks in the film are all one-dimensional bad people, and physically ugly to boot. I also read that many of the scenes are completely fictional. I am not one of those people who think that a "true" story must be completely true; I think that the purpose of movies is to entertain, and this one certainly does that, if in a harrowing way. But, given the politics of our time, if the author of the screenplay wanted to create a demon people for dramatic effect, perhaps it would have been better to have set the story in a fictional or unidentified country.
The other observation I would make is, we are not much better than they are. We regularly sentence people to ungodly amounts of prison time for drug offenses, both on a state and federal level. Our prisons are no picnic, either, with many of the same sorts of things that were portrayed in the movie happening right here at home.
So, go check "the man in the mirror" before you condemn anyone else.
I found an old VHS tape of this film among my film collection: I don't think I've watched it for 30 years so I put it in the machine. I thought it was a strong movie with good performances and held up very well. I've always liked the music. I was amazed to read the reviews and find that the film was treated like a cinematic diatribe against Turkey and the Turkish people. The film is not about Turkey. That's simply the setting. it's no more about the Turkish people than "I Am a Fugitive From a Chain Gang", "Cool Hand Luke" or "The Shawshank Redemption" is about the American people.
The film works on two levels. It's about a guy who foolishly decides to ignore the laws of a foreign country and smuggle hashish from ti to make some quick money. He gets caught and confronts a series of policemen, lawyers, judges and prison guards, none of them sympathetic characters. Those are the "Turkish people" presented to him and to us. They are little different from the sort of people who would hold those jobs in any country, including ours. A couple of prisoners make comments about disliking Turks but that's because this is their experience of them. There's no implications that all of the Turkish people are like these characters. On this level the film is just a stark reminder that if you travel to a foreign country you must be aware of and obey their laws. Just because you are an American, you have no special status.
The other level of the film and the part that makes it special is the psychological. the "Midnight Express" is not a train but it's not just an escape attempt. When Billy winds up in the asylum, he gets into a battle to hold on to his mind. He doesn't want to be a "bad machine", which is the other way to escape his dismal reality. he's losing that battle when his girlfriend show up to give him hope and reason to use it. That's what the movie is really about.
The film works on two levels. It's about a guy who foolishly decides to ignore the laws of a foreign country and smuggle hashish from ti to make some quick money. He gets caught and confronts a series of policemen, lawyers, judges and prison guards, none of them sympathetic characters. Those are the "Turkish people" presented to him and to us. They are little different from the sort of people who would hold those jobs in any country, including ours. A couple of prisoners make comments about disliking Turks but that's because this is their experience of them. There's no implications that all of the Turkish people are like these characters. On this level the film is just a stark reminder that if you travel to a foreign country you must be aware of and obey their laws. Just because you are an American, you have no special status.
The other level of the film and the part that makes it special is the psychological. the "Midnight Express" is not a train but it's not just an escape attempt. When Billy winds up in the asylum, he gets into a battle to hold on to his mind. He doesn't want to be a "bad machine", which is the other way to escape his dismal reality. he's losing that battle when his girlfriend show up to give him hope and reason to use it. That's what the movie is really about.
Im a turkish boy and im proud of being a turk.that movie may be a good movie but its full of exaggerations.Even Billy Hayes admitted that that movie was full of exegerations.Some ppl have some prejudieces about turkey and turkish people.and i don't like that.For ex i watched the movie called 'sleepers' but i dont think that all Americans rape kids in jail.
First of all im turkish and i have seen this movie for several times. I LIKE it and i simply know what other people think about this movie. If they are turkish, they simply hate the movie and tell that its giving the turkish nation a bad name. If they are not turkish then they start to think about bad things about turks. And thats normal. BUT!!!! The main problem of the movies is not that its not showing true things. The main problem of the movie is that it tells the things that happaned to the main characters happened cause he is AMERICAN. I think thats the wrong thing about this movie. If bad things happen to americans in turkish jails then bad things happen to turkish people in jails too. I dont think that they would harras someone MORE just cause he is AMERICAN. Im turkish and i know that turkish people dont hate americans, like most of the other muslim countries. Also, this movie is 20 years old. I think many things changed in Turkey in this past 20 years. Come to Turkey, then you can Judge as much as you can. truth or fiction. I! LIKE! THIS! MOVIE!
Storyline
Did you know
- TriviaBanned (and never released theatrically) in Turkey until 1992 when the private television channel HBB broadcast it.
- GoofsThe Turkish spoken by the Turkish characters in the film is uniformly broken. The actors are obviously not Turkish; sometimes the language is so broken it is difficult for native speakers to understand what they are saying.
- Quotes
Max: The best thing to do is to get your ass out of here. Best way that you can.
Billy Hayes: Yeah, but how?
Max: Catch the midnight express.
Billy Hayes: But what's that?
Max: [laughs] Well it's not a train. It's a prison word for... escape. But it doesn't stop around here.
- Crazy creditsThe only opening titles are: Columbia Pictures presents a Casablanca FilmWorks production an Alan Parker film Midnight Express After this, the opening prologue text reads "The following is based on a true story. It began October 6, 1970 in Istanbul, Turkey."
- Alternate versionsSome of the VHS and Betamax copies included text before the end credits run that did not appear on the DVD and Blu-ray copies "On May 18,1978 the motion picture you have just seen was shown to an audience of world press at the Cannes Film Festival.... 43 days later the United States and Turkey entered into formal negotiations for the exchange of prisoners." This dialogue existed on HBO's showing of the movie back in 1985.
- ConnectionsEdited into The Running Man (1987)
- SoundtracksIstanbul Blues
Vocals by David Castle
Written By Oliver Stone, Billy Hayes (as William Hayes)
Arranged and Lyrics by David Castle
Acoustic / Electric Guitars by Patrick McClure
Drums, Percussion by Jerry Summers
Strings by Fritz Sonnleitner and Sid Sharp
Bass by Rick Tierney
Piano, Electric Piano, Clavinet by David Castle
Published by Rick's Music Inc./Gold Horizon Music Corp. (BMI)
(p) 1978 Casablanca Record and FilmWorks, Inc.
© 1978 Columbia Pictures
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Expreso de medianoche
- Filming locations
- Fort St. Elmo, Valletta, Malta(as the Turkish prison)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $2,300,000 (estimated)
- Gross US & Canada
- $35,000,000
- Gross worldwide
- $35,000,000
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