John Morlar (Richard Burton) is watching a British television broadcast when an anchorman states that American astronauts are trapped in orbit around the moon. Suddenly someone in Morlar's room picks up a figurine and strikes him on the head repeatedly. His blood splatters the television screen. French Detective-Inspector Brunel (Lino Ventura) arrives at Morlar's apartment to begin an investigation. At first he thinks Morlar is dead, but soon he hears him breathe. At the hospital, Morlar is hooked up to life support systems, one machine in particular monitors the activity of his battered brain. Brunel discovers that Morlar has been in psychological analysis because of his history of being witness to many disasters, other people's disasters. Dr. Zonfeld (Lee Remick), Morlar's analyst, explains that Morlar's delusions had begun when he was a child. He believed that he had caused a hated nanny's death. Morlar's childhood delusions were reinforced at a resort when he overheard his parents...Written by
The tower block in the plane crash sequence was made out to be "Centre Point", a tower which had been empty since it was built in 1964. It still exists today by Tottenham Court Road and New Oxford Street. It is one of the tallest concrete towers in Britain (at one hundred seventeen meters, or approximately three hundred eighty-four feet) and nominated as one of London's ugliest structures. It has been home to the Confederation of British Industry since 1980. Converted into luxury apartments 2016 to 2018. See more »
When Molar visits a fortune teller, the boom mic is visible above the fortune teller's head. See more »
I am the man with the power to create catastrophe.
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Hmm. Some of the reviewers here have complained about the film's slow pacing. Well, yes...compared to the MTV style edited movies of the past 5 years, I'd have to agree. But, the pacing is also necessary in order to show the slow psychological breakdown of the lead character. It's a slow burn type of story, and the filmmakers were much more concerned with building a creepy atmosphere than bombarding us with CGI effects, blood and gore, and whatever else passes for supernatural horror these days.
Besides, Richard Burton on a bad day is better than most actors at their best.
If "Jason X" and other hollow, special effects driven films are your idea of horror...then this isn't the film for you. The Medusa Touch is a methodically paced thriller, aimed at genre fans who enjoy a more thoughtful kind of horror film. If you enjoyed "Don't Look Now," then this is the type of film for you.
If you have the rare opportunity to catch this obscure film, you should at least give it a fair shake. Then you can decide for yourself.
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