A medieval reenactment troupe find it increasingly difficult to keep their family-like group together, with pressure from local law enforcement, interest from entertainment agents and a growing sense of delusion from their leader.
Two horror tales based on short stories by Edgar Allan Poe directed by two famous horror directors, George A. Romero and Dario Argento. A greedy wife kills her husband, but not completely. A sleazy reporter adopts a strange black cat.
Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
George Romero does for vampires what he has already done to zombies - an intense and realistic treatment that follows the exploits of Martin, who claims to be 84 years old, and who certainly drinks human blood. The boy arrives in Pittsburg to stay with his uncle, who promises to save Martin's soul and destroy him once he is finished, but Martin's loneliness finds other means of release.Written by
David Carroll <firstname.lastname@example.org>
Writer-director George Romero delves into the world of modern vampirism...or does he? I am not real sure, but he does examine the life of a young man(says he is over eighty...is he?)that certainly thinks he is a vampire but has no fangs or claws but needs to use razor blades and needles to drug his victims. Is he a real vampire in the modern sense, or is he the product of societal, family and sexual repression and inner anger. Apparently there are family members that believe he is a "nosferatu," most notably his Uncle Cuda, played strongly by Lincoln Maazel, but Crosses, garlic, and the sun do not affect Martin. Martin tells his Uncle that the magic is all gone...what does that mean really? Martin is a strange, weirdly poetic, disturbing film. John Amplas does an outstanding job playing the ..whatever he is. I felt little sympathy for him but thought he was very evil in his madness and sickness. The rest of the cast is very adequate...although all unknowns for the most part except for Romero regular Tom Savini in a bit part. Romero's wife and father-in-law even have roles and to top that George Romero plays a priest(which he does quite nicely). Made on a small budget, Martin shows us the decay of city-life and briefly focusses on the young moving away to the suburbs. The movie is indeed slow at times, but the murder scenes are well executed(no pun intended) and create a great deal of suspense.
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