A medieval reenactment troupe find it increasingly difficult to keep their family-like group together, with pressure from local law enforcement, interest from entertainment agents and a growing sense of delusion from their leader.
Two horror tales based on short stories by Edgar Allan Poe directed by two famous horror directors, George A. Romero and Dario Argento. A greedy wife kills her husband, but not completely. A sleazy reporter adopts a strange black cat.
Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
George Romero does for vampires what he has already done to zombies - an intense and realistic treatment that follows the exploits of Martin, who claims to be 84 years old, and who certainly drinks human blood. The boy arrives in Pittsburg to stay with his uncle, who promises to save Martin's soul and destroy him once he is finished, but Martin's loneliness finds other means of release.Written by
David Carroll <email@example.com>
The films setting of Braddock, Pennsylvania is indeed a real city outside of Pittsburgh. Local neighborhoods served as filming locations for the film and many locals appear as extras. The cops used for the shootout scene were actual Braddock policemen. See more »
During the marching band scene, two men on the sidewalk dodge out of frame, one holding a boom mic. See more »
And that's another thing about those movies. Vampires always have ladies. Sometimes lots of ladies. Well, that's wrong too! You don't need all that.
Radio Talk Show Host:
Ah,ha,ha,ha, you don't need that?
No, you really don't. I mean, if the magic part was real and you could make them do whatever you wanted to...
Radio Talk Show Host:
Well, that would be different. In real life, in real life you can't get people to do what you want them to do.
See more »
European version was rescored by Italian rock group Goblin. See more »
George A. Romero will always be associated with his innovative and spectacular zombie trilogy ('Night Of The Living Dead', 'Dawn Of The Dead' and 'Day Of The Dead', all classics). Dig deeper and you will find he has made several less discussed but worthy movies, including this one, quite possibly the best movie he has ever made.
'Martin' manages to be both a disturbing psychological drama and a genuine horror movie at the same time. It is complex and mult-layered enough to be read in more than one way. It's up to you, the viewer, to decide whether Martin (John Amplas, in an impressive debut) really is the vampire he claims to be or is simply deluded. It's a pity that this movie slips through the cracks. Hard core horror nuts often undervalue it because it isn't what they expect from the genre, and movie buffs who can appreciate downbeat 70s classics like Scorsese's 'Taxi Driver', and Toback's 'Fingers', will dismiss it as "just another horror movie", not realizing just how much it has in common with the aforementioned. Too bad. 'Martin' is a real gem, and highly recommended. I think it's absolutely brilliant, and a classic.
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