A medieval reenactment troupe find it increasingly difficult to keep their family-like group together, with pressure from local law enforcement, interest from entertainment agents and a growing sense of delusion from their leader.
Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
Two horror tales based on short stories by Edgar Allan Poe directed by two famous horror directors, George A. Romero and Dario Argento. A greedy wife kills her husband, but not completely. A sleazy reporter adopts a strange black cat.
There is panic throughout the nation as the dead suddenly come back to life. The film follows a group of characters who barricade themselves in an old farmhouse in an attempt to remain safe from these bloodthirsty, flesh-eating monsters.
George Romero does for vampires what he has already done to zombies - an intense and realistic treatment that follows the exploits of Martin, who claims to be 84 years old, and who certainly drinks human blood. The boy arrives in Pittsburg to stay with his uncle, who promises to save Martin's soul and destroy him once he is finished, but Martin's loneliness finds other means of release.Written by
David Carroll <firstname.lastname@example.org>
According to producer Richard P. Rubinstein on the Dawn of the Dead (1978) commentary track (Ultimate Edition DVD), by the time both he and George A. Romero got together to make this film, Romero was under a serious debt (almost a million dollars) after the back to back failures of the films he'd done after Night of The Living Dead (1968). Rubinstein told Romero it was alright to declare bankruptcy and start over again. However Romero refused because he felt it was inappropriate to back out on the people who had helped invest in Romero's films. Rubinstein, having a lot of respect for Romero for not walking out on those people, partnered up with him so he could help him get out of his debt. This was their first film together but it wasn't until they made Dawn of the Dead, which became a financial success, that they were able to pay back Romero's debts. See more »
At the beginning of the film, Martin breaks into a woman's train cabin and attacks her. At first, she has a cold cream mask on. During the struggle, it suddenly disappears without a trace. See more »
Writer-director George Romero delves into the world of modern vampirism...or does he? I am not real sure, but he does examine the life of a young man(says he is over eighty...is he?)that certainly thinks he is a vampire but has no fangs or claws but needs to use razor blades and needles to drug his victims. Is he a real vampire in the modern sense, or is he the product of societal, family and sexual repression and inner anger. Apparently there are family members that believe he is a "nosferatu," most notably his Uncle Cuda, played strongly by Lincoln Maazel, but Crosses, garlic, and the sun do not affect Martin. Martin tells his Uncle that the magic is all gone...what does that mean really? Martin is a strange, weirdly poetic, disturbing film. John Amplas does an outstanding job playing the ..whatever he is. I felt little sympathy for him but thought he was very evil in his madness and sickness. The rest of the cast is very adequate...although all unknowns for the most part except for Romero regular Tom Savini in a bit part. Romero's wife and father-in-law even have roles and to top that George Romero plays a priest(which he does quite nicely). Made on a small budget, Martin shows us the decay of city-life and briefly focusses on the young moving away to the suburbs. The movie is indeed slow at times, but the murder scenes are well executed(no pun intended) and create a great deal of suspense.
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