A medieval reenactment troupe find it increasingly difficult to keep their family-like group together, with pressure from local law enforcement, interest from entertainment agents and a growing sense of delusion from their leader.
Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
Two horror tales based on short stories by Edgar Allan Poe directed by two famous horror directors, George A. Romero and Dario Argento. A greedy wife kills her husband, but not completely. A sleazy reporter adopts a strange black cat.
There is panic throughout the nation as the dead suddenly come back to life. The film follows a group of characters who barricade themselves in an old farmhouse in an attempt to remain safe from these bloodthirsty, flesh-eating monsters.
George Romero does for vampires what he has already done to zombies - an intense and realistic treatment that follows the exploits of Martin, who claims to be 84 years old, and who certainly drinks human blood. The boy arrives in Pittsburg to stay with his uncle, who promises to save Martin's soul and destroy him once he is finished, but Martin's loneliness finds other means of release. Written by
David Carroll <email@example.com>
Lincoln Maazel's character was re-named Cuda because the exterior of the store that was used for the character's business was painted with the name The Cuda Co. See more »
During the marching band scene, two men on the sidewalk dodge out of frame, one holding a boom mic. See more »
I can't have kids. I can never have kids. I have something wrong inside. I don't know, what do you think? Is that good for me, bad for me? No opinion? That's why you're so nice to have around Martin. You don't have opinions.
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You don't see anyone make a film like this anymore. Shot on 16mm but absolutely gorgeous looking. Low budget but has a very unusual and quite fine OST(modern classical/jazz sounding I guess?). Great characters and performances. Some of the performances are simple but are usually always quite charming. Romero was able to create a great look by using locations that happened to be available through family and friends. Martin exemplifies the beauty of doing a lot with a little. Re-watchable because there are so many clever details to be found. People looking for tired vampire movie formulas and a bit of T&A will be disappointed with this film. What's impressive is how little the film actually covers the standard themes of vampires. Instead, the actual social construct of vampirism is brought into question. Viewers are left to figure out and discuss what the main character is all about on their own. One of the finer moments in 70's semi-independent cinema. On par with Season Of The Witch in terms of weirdness and style. The creativity and integrity seen in Martin will seldom be seen again as long as Hollywood continues to be run by spineless, cowardly producers.
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