A bullied teenage boy is devastated after the death of his heavy metal idol, Sammi Curr. But as Hallowe'en night approaches, he discovers that he may be the only one who can stop Sammi from making a Satanic comeback from beyond the grave.
In the near future, a police officer specializes in malfunctioning robots. When a robot turns out to have been programmed to kill, he begins to uncover a homicidal plot to create killer robots... and his son becomes a target.
The tale of rock band KISS and their efforts to thwart a diabolical plan by mad scientist Abner Devereaux. Devereaux has found a way to clone humans into robots in his laboratory at an amusement park. It just so happens that he plans to uses the KISS concert as a platform to unleash his plan on the world. KISS must use their special powers to stop him.Written by
Josh Pasnak <firstname.lastname@example.org>
When this was originally shown on "NBC Saturday Night at the Movies", on October 28, 1978, the opening trailer bumper was announced by New York NBC staff announcer Fred Collins, while Peggy Taylor, one of the network's Burbank-based staff announcers, did commercial and ending bumpers. See more »
Wires visible on the talisman case when the band levitates it. See more »
The Spanish version of "KISS Meets The Phantom of the Park" (usually known as "Attack of the Phantoms") has totally different editing. Many various scenes/elements not in the US version (while many in the US version are not in the Spanish version). Among of the differences are:
Devereaux's Civil War robots are seen attacking the security guard's office.
Calvin and Devereaux have a discussion on the Magic Mountain monorail and continue it as they get off the ride.
There are additional live shots of KISS, including some from overhead, including one where you can clearly see a cameraman on stage.
KISS' promotional videos from 1979, "I Was Made For Loving You" and "Sure Know Something," from their "Dynasty" album, are inserted in the movie as live concert performances, despite the completely different costumes and staging from the previous shot before the songs begin.
The entire movie uses different music, especially a lot of KISS solo album music, and even a little bit of an instrumental of KISS' "Almost Human."
Paul Stanley shoots Sam's remote control with his eye laser. In the US version, he simply takes it out of Sam's skin with his hand.
There are additional shots during most of the KISS fight scenes, as well as many quick scenes throughout the film. Just one example of many, the guy staring at Melissa at the snack bar wipes the table with his hand, while in the US version he does not.
This version ends with a shot of Devereaux walking in the park (the scene after Calvin fired him) and then going into the credits which scroll, while the US version ends with KISS performing "God of Thunder."
Yes, the movie is horrible, and yes it is an embarrassment. However, if you grew up with KISS in the 1970's this movie will be very near and dear to your heart. The fact that this movie was even made is a testament to the KISS phenomenon of the 70's. It isn't so much a movie as it is a magical moment in time captured.
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