The first remake of the paranoid infiltration classic moves the setting for the invasion from a small town to the city of San Fransisco and starts as Matthew Bennell notices that several of his friends are complaining that their close relatives are in some way different. When questioned later they themselves seem changed as they deny everything or make lame excuses. As the invaders increase in number they become more open and Bennell, who has by now witnessed an attempted "replacement" realises that he and his friends must escape or suffer the same fate. But who can he trust to help him and who has already been snatched?Written by
Mark Thompson <firstname.lastname@example.org>
The night after the movie's release, someone put pods, like those in the movie, all over the streets of Los Angeles. Some people got so freaked out, that they thought they were real, and called the police. See more »
Early in the film when Geoffrey and Elizabeth are talking and we only see their reflections. Geoffrey's mouth isn't moving See more »
[while Matthew drives Elizabeth through the city, a crazed man runs up to their car]
[Matthew slams on the brakes, but the man's head still strikes the already broken windshield. Unfazed, the man immediately proceeds to pound on the windshield for attention]
Oh, my God, oh my God! Lock the door! Lock the door!
Help! They're coming! They're coming!
Maybe we should help him.
Help! Help! They're coming! They're coming! Listen to me! Listen!
No, he's smashed out of his ...
[...] See more »
The original 'Invasion of the Body Snatchers' is one of my favorites. There were so many films from the 1950s that involved an alien threat menacing small town Americana, but 'Invasion of the Body Snatchers' was one of the few standouts because it took what it was doing seriously. Not another in a long series of man-in-a-rubber-suit movies, its tactics were more psychological. We, like Dr. Bennell, are uncertain what's going on or even if there actually *is* anything going on until its too late. Then the walls close in on the doctor and Becky, and nowhere is safe, there is nowhere to hide. Added to this is the film's ambiguous subtext, and you end up with a movie that really is much better than it should be.
While I don't think the remake was bad necessarily, I don't think there's anything remarkable about it either. It was good for what it was, but it lacked any real suspense because it began by revealing the threat and then rushed to get that threat underway. Setting the film in a large city was a mistake. One of the strengths of the original was the confusion and horror the characters felt as they slowly watched the people around them, the people they had grown up with and known so well, become strangers. That element's lost when you set the movie in a place where nearly everyone is a stranger to begin with, where you wouldn't know if the person walking down the street is different today than they had been the day before. I also think the third act is overly long and drags out.
Kudos to the man-faced dog, though. That was great.
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