7.5/10
16,543
110 user 51 critic

Interiors (1978)

PG | | Drama | 2 August 1978 (USA)
Three sisters find their lives spinning out of control in the wake of their parents' sudden, unexpected divorce.

Director:

Woody Allen

Writer:

Woody Allen

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Nominated for 5 Oscars. Another 9 wins & 11 nominations. See more awards »

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Cast

Complete credited cast:
Kristin Griffith ... Flyn
Mary Beth Hurt ... Joey
Richard Jordan ... Frederick
Diane Keaton ... Renata
E.G. Marshall ... Arthur
Geraldine Page ... Eve
Maureen Stapleton ... Pearl
Sam Waterston ... Mike
Missy Hope Missy Hope ... Young Joey
Kerry Duffy Kerry Duffy ... Young Renata
Nancy Collins Nancy Collins ... Young Flyn
Penny Gaston Penny Gaston ... Young Eve
Roger Morden Roger Morden ... Young Arthur
Henderson Forsythe Henderson Forsythe ... Judge Bartel
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Storyline

The story of a very dysfunctional family and what happens when the parents divorce. Eve (Geraldine Page) and Arthur (EG Marshall) are a 60-something couple, recently separated. They have three adult daughters - Renata (Diane Keaton), Joey (Mary Beth Hurt) and Flyn (Kristin Griffith). Renata is a poet and is married to Frederick (Richard Jordan). Joey is (reluctantly) in advertising and is married to Mike (Sam Waterston). Joey is a film and TV actress. Eve is an incredibly negative woman and this has had a toxic effect on her children. This results in stifling, unsupportive relationships and joyless lives. Written by grantss

Plot Summary | Add Synopsis

Taglines:

The One Movie You Should Not Miss This Year

Genres:

Drama

Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

MGM

Country:

USA

Language:

English

Release Date:

2 August 1978 (USA) See more »

Also Known As:

Anhedonia See more »

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Box Office

Budget:

$10,000,000 (estimated)

Gross USA:

$10,432,466, 31 December 1978
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

While watching the movie with a friend, of this film, Woody Allen once said words to the effect of: "It's always been my fear. I think I'm writing Long Day's Journey into Night, and it turns into Edge of Night." See more »

Goofs

In the church, Eve knocks over a table of candles and broken glass is heard as they clatter to the floor. But as she leaves, there's not one candle on the ground. See more »

Quotes

Joey: I feel the need to express something, but I don't know what it is I want to express. Or how to express it.
See more »

Crazy Credits

Casting director Juliet Taylor's name is spelled Juilet Taylor in the credits. See more »

Connections

Referenced in Surrender, Dorothy (2006) See more »

Soundtracks

Keepin' Out of Mischief Now
(1932)
Written by Fats Waller (uncredited) & Andy Razaf (uncredited)
Performed by Tommy Dorsey & His Orchestra (as Tommy Dorsey and His Orchestra)
See more »

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User Reviews

 
A large ensemble cast, written, filmed, and directed with quiet force....
24 January 2011 | by secondtakeSee all my reviews

Interiors (1978)

This is one of those dark, serious, realistic personal dramas that critics shook their heads at in 1978. It wasn't because it wasn't good--it's frankly a brilliant combination of the big three: acting, writing, photography. It was because it was directed (and written) by Woody Allen. And Woody Allen is funny, right? Critics at the time, however, to their credit, gave the film a fair reading, and for three brilliant excerpt of period reviews, I recommend the Wikipedia entry on the movie.

So watch this film thinking it's by someone else, if you have to. take it in on its own subtle terms as three sisters watch their own deficiencies bloom when their parents abruptly separate. There is some familiar territory here, actors Allen has turned to many times (including Diane Keaton, of course, who he was once, in 1970, involved with). The world is one that might actually be parallel to his own, not Jewish New York but rather a highly educated literary set with money and ambitions, but deeply steeped in the arts.

In short, "Interiors" was and is appreciated but always with a feeling that it isn't quite complete, that it isn't what it could have been. It's easy to see that it is unremittingly dour, almost to perversion. And you might say that it plays the Bergman card too hard without overt appropriation (which makes it merely derivative, that worst of echoes). It is fair, I suppose, to say that Allen really has succeeded, but not in the remarkable ways he had succeeded so clearly in his earlier films, including his previous nugget, "Annie Hall," which is in my view his first true drama, but which has the benefit of also being funny.

Or you can just sit back and take it in for what it does do so well, letting the interior lives of these people seem as shattered and pathetic as they really seem. The photography by Gordon Willis is admirable for being beautiful and inventive without being distracting. Allen and Willis make clear this intention with opening shots, a series of fixed camera views of rooms, and then views out windows, all framed with classic proportions, but sequenced to pull you in. But look how often the camera follows two people as they walk and talk, either up close in front of them, or along the beach through an irregular snow fence. Its pace and "tastefulness" of the photography almost seems designed by one of the main characters, the troubled interior decorator mother played with uncanny effectiveness by Geraldine Page.

Expect nothing in particular here except a tour-de-force that works on its own depressing terms.


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