Interiors (1978)

Three sisters find their lives spinning out of control in the wake of their parents' sudden, unexpected divorce.

Director:

Woody Allen

Writer:

Woody Allen

Stars:

Diane Keaton, Geraldine Page, Kristin Griffith

Nominated for 5 Oscars. Another 9 wins & 11 nominations.

Cast

Complete credited cast:
Kristin Griffith	...	Flyn
Mary Beth Hurt	...	Joey
Richard Jordan	...	Frederick
Diane Keaton	...	Renata
E.G. Marshall	...	Arthur
Geraldine Page	...	Eve
Maureen Stapleton	...	Pearl
Sam Waterston	...	Mike
Missy Hope	...	Young Joey
Kerry Duffy	...	Young Renata
Nancy Collins	...	Young Flyn
Penny Gaston	...	Young Eve
Roger Morden	...	Young Arthur
Henderson Forsythe	...	Judge Bartel

Storyline

The story of a very dysfunctional family and what happens when the parents divorce. Eve (Geraldine Page) and Arthur (EG Marshall) are a 60-something couple, recently separated. They have three adult daughters - Renata (Diane Keaton), Joey (Mary Beth Hurt) and Flyn (Kristin Griffith). Renata is a poet and is married to Frederick (Richard Jordan). Joey is (reluctantly) in advertising and is married to Mike (Sam Waterston). Joey is a film and TV actress. Eve is an incredibly negative woman and this has had a toxic effect on her children. This results in stifling, unsupportive relationships and joyless lives.

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Plot Keywords:

no music | divorce | sibling rivalry | woman with glasses | electroshock therapy | 

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Taglines:

The One Movie You Should Not Miss This Year

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Genres:

Drama

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Certificate:

PG

Details

Official Sites:

MGM

Country:

USA

Language:

English

Release Date:

2 August 1978 (USA)

Also Known As:

Anhedonia

Filming Locations:

Church of St. Ignatius Loyola, New York City, New York, USA

Box Office

Budget:

$10,000,000 (estimated)

Gross USA:

$10,432,466, 31 December 1978

Company Credits

Production Co:

Jack Rollins & Charles H. Joffe Productions, Rollins-Joffe Productions

Technical Specs

Runtime:

92 min

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

First dramatic film of Woody Allen. Allen was known for comedy, and wanted to break the mold by having no humor at all in this movie. At one point, the family is gathered around the table laughing at a joke which Arthur has just told, but we never hear the joke.

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Goofs

During the ending credits when the producers' acknowledgments are given, it is misspelled as "ackowledge."

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Quotes

Eve: You spoke to my analyst about this behind my back? How could you! This is humiliating!

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Crazy Credits

Casting director Juliet Taylor's name is spelled Juilet Taylor in the credits.

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Connections

Referenced in Surrender, Dorothy (2006)

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Soundtracks

Wolverine Blues
(1923)
Written by Ferdinand 'Jelly Roll' Morton (uncredited)
Performed by The World's Greatest Jazz Band
On Project III Records

User Reviews

A large ensemble cast, written, filmed, and directed with quiet force....

Interiors (1978)

This is one of those dark, serious, realistic personal dramas that critics shook their heads at in 1978. It wasn't because it wasn't good--it's frankly a brilliant combination of the big three: acting, writing, photography. It was because it was directed (and written) by Woody Allen. And Woody Allen is funny, right? Critics at the time, however, to their credit, gave the film a fair reading, and for three brilliant excerpt of period reviews, I recommend the Wikipedia entry on the movie.

So watch this film thinking it's by someone else, if you have to. take it in on its own subtle terms as three sisters watch their own deficiencies bloom when their parents abruptly separate. There is some familiar territory here, actors Allen has turned to many times (including Diane Keaton, of course, who he was once, in 1970, involved with). The world is one that might actually be parallel to his own, not Jewish New York but rather a highly educated literary set with money and ambitions, but deeply steeped in the arts.

In short, "Interiors" was and is appreciated but always with a feeling that it isn't quite complete, that it isn't what it could have been. It's easy to see that it is unremittingly dour, almost to perversion. And you might say that it plays the Bergman card too hard without overt appropriation (which makes it merely derivative, that worst of echoes). It is fair, I suppose, to say that Allen really has succeeded, but not in the remarkable ways he had succeeded so clearly in his earlier films, including his previous nugget, "Annie Hall," which is in my view his first true drama, but which has the benefit of also being funny.

Or you can just sit back and take it in for what it does do so well, letting the interior lives of these people seem as shattered and pathetic as they really seem. The photography by Gordon Willis is admirable for being beautiful and inventive without being distracting. Allen and Willis make clear this intention with opening shots, a series of fixed camera views of rooms, and then views out windows, all framed with classic proportions, but sequenced to pull you in. But look how often the camera follows two people as they walk and talk, either up close in front of them, or along the beach through an irregular snow fence. Its pace and "tastefulness" of the photography almost seems designed by one of the main characters, the troubled interior decorator mother played with uncanny effectiveness by Geraldine Page.

Expect nothing in particular here except a tour-de-force that works on its own depressing terms.