In 1964, six teenagers from New Jersey run off to see The Beatles perform on The Ed Sullivan Show (1948) in the hope of meeting their idols. However, they don't have tickets. Along the way, they learn new things about friendship and growing up.
A wealthy and womanizing businessman gets into trouble when he decides to give a fur coat as a birthday present to one of his two girlfriends. His clumsy chauffeur and his attractive ... See full summary »
In an airport hotel on the outskirts of Paris, a Silicon Valley engineer abruptly chucks his job, breaks things off with his wife, and holes up in his room. Soon, fate draws him and a young French maid together.
If they missed Beatles' first appearance in the U.S.A. they would hate themselves for the rest of their lives! So they (six teenagers from New Jersey) set off even though they don't have tickets for the show! The journey is full of surprises and misfortunes but the young ladies are determined to reach to their idols...Written by
Xenophon Tsakanikas <firstname.lastname@example.org>
It was at Spielberg's suggestion that this should be Zemeckis' directorial debut. See more »
At the end of the Ed Sullivan broadcast in I WANNA HOLD YOUR HAND, Will Jordan as Sullivan announces that The Beatles will return the following week for a broadcast co-starring the Budapest Ballerinas and Will Jordan himself. The actual announced co-star of that broadcast was, in fact, Mitzi Gaynor, and Jordan never appeared on an "Ed Sullivan Show" on which The Beatles also performed in person. However, one notable impressionist did appear on a Sullivan broadcast alongside The Beatles - Frank Gorshin, on the real-life broadcast of February 9, 1964, that was depicted in the film. See more »
[Rosie and "Ringo" are trapped in an elevator, when Ringo discovers the trap door on the top of the elevator]
That looks dangerous!
Richard 'Ringo' Klaus:
Not really. It's not as dangerous as when I got thrown off the Long Island Rail Road, and this isn't even moving.
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There is a scene that takes place about three quarters of the way through this film that is not only one of the ten funniest scenes in the history of movie-making, but probably does even a better job of summing up what the year 1964 was all about than Dr. Strangelove. It involves Christian Juttner, who must confront an evil looking one-eyed barber, and a snake-like pair of electric clippers.
And forget Burt Lancaster & Deborah Kerr on the beach in "From Here To Eternity." For sheer lustful passion, that scene doesn't even come close to Nancy Allen's roll in the hay with Paul McCartney's Hoffner bass.
A flawless masterpiece!
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