When Katie innocently accepts an offer to have new photos taken for her portfolio, the experience quickly turns into a nightmare of rape, torture and kidnapping. Now, she will have to find the strength to exact her brutal revenge.
Steven R. Monroe
Jennifer Hills is still tormented by the brutal sexual assault she endured years ago. She's changed identities and cities, reluctantly joining a support group where she begins to piece ... See full summary »
After kidnapping and brutally assaulting two young women, a gang unknowingly finds refuge at a vacation home belonging to the parents of one of the victims: a mother and father who devise an increasingly gruesome series of revenge tactics.
Joe Grant, a light-skinned African-African, heads to a small Southern town to investigate the lynching death of his brother. He draws the attention of a gorgeous heiress whom he learns may have been involved in the killing.
"I Spit On Your Grave Deja Vu" - the 5th in the series of spinoffs, is the only sequel that shares characters as well as continuity with the controversial 1978 "I Spit On Your Grave" and ... See full summary »
The film follows Jennifer, a writer who is working on a new novel and needs to get out of the city to finish it. She rents a riverside cabin in upstate New York to work on her novel, attracting the attention of a number of rowdy male locals. They catch Jennifer one day and strip her naked for the village idiot (Matthew) and rape her. Jennifer is later attacked and raped a further two times by the four degenerates, and her novel is also destroyed. But Jennifer recovers, and in her now-twisted, psychotic state, she begins to seek revenge on the men.Written by
Craig Johnson <firstname.lastname@example.org>
Meir Zarchi said he was inspired to make the film after helping a young woman who had been raped. He said he, a friend, and his daughter were driving by a park when they saw a young woman crawl, bloodied and naked, out of the bushes. They picked the girl up, took his daughter back home, and talked with the friend about whether they should take her to the hospital or the police. They decided to take her to the police first. The officer, whom Zarchi described as "not fit to wear the uniform", insisted she answer questions about her assailants before she went to the hospital, even though her jaw was broken and she could barely talk. Finally, Zarchi insisted to the officer that they take her to the hospital right away. He later found out the girl was attacked while taking a common shortcut to meet with her boyfriend. Soon afterward the girl's father sent Zarchi a letter of thanks for helping his daughter, and offered him a reward, which Zarchi turned down. See more »
When Matthew rapes Jennifer, his glasses have no lenses during a close up shot. This may be due to the director not wanting any sort of reflection showing up in the lenses during that shot. The lenses reappear afterwards. See more »
I tried to watch this film once before and made it up to the second rape scene before leaving the room, believing I was seriously about to throw up. I finally forced myself to watch it all the way through recently, and I'm glad I did.
Jennifer Hill is a young, hip, free-spirited woman of the 70s, who leaves her home in New York City for a long vacation in Connecticut, where she plans to write her first novel. Jennifer soon attracts the attention of four lowlife scumbags as she sunbathes in her bikini. The semi-evolved thugs kidnap Jennifer, drag her into the woods, rape her, beat her, sodomize her, beat her some more, follow her home, rape her again, kick her when she's down, make fun of her manuscript, rip it to shreds, rape her with a bottle, beat her up one last time and leave her, bleeding and unconscious on the floor of her vacation home. Damn. They send the retarded Matthew back into the house with a knife and instructions to kill her, but Matthew can't bring himself to do it. He tells the guys that he has killed her, and they stupidly believe him and leave. But Jennifer is alive, and as she heals from her hideous wounds and recovers her strength, she plots revenge against her rapists.
Roger Ebert called this the worst film ever made and feminists damned it to hell for all eternity, but you know what? I'm a woman and I liked it. Jennifer is no weak, whimpering, helpless little victim. She tries her best to fight back. When threats and violence fail to work in her favor, she uses the only other weapon she has: sex. The men are all stereotypical slobs, disgusting pigs who are clearly already emasculated and use Jennifer as an outlet for their frustration and rage. The rapes have nothing to do with sex and are portrayed most realistically - they are ugly, brutal, violent, nasty and completely devoid of eroticism. The sodomy scene was the one scene that horrified me the most, as Jennifer emits the most bloodcurdling scream of pain ever heard. It is very difficult not to flinch from that sound. Jennifer's revenge is every bit as bloody and painful, and nowhere is it more sadistic than in the infamous "bloodbath" scene. These guys all get what's coming to them, and Jennifer makes sure that the punishment fits the crime, turning the men into the helpless, pleading victims and feeding their own sadism right back to them.
Okay, so not all of the plot points make sense, and not everyone is going to agree with Jennifer's decision to kill the men, but it's still a powerful film. It's told primarily from Jennifer's point of view but it never takes sides. It simply tells the story and lets you decide - is Jennifer an insane psycho-killer who ought to go to jail for her crimes, or is she an angel of vengeance delivering poetic justice?
Scaredy cats like me might prefer to watch this film with the audio commentary by Joe Bob Briggs turned on. Joe Bob provides a lot of interesting information about the making of this film, and also supplies some much needed comic relief throughout.
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