Good girl Sandy Olsson (Olivia Newton-John) and greaser Danny Zuko (John Travolta) fell in love over the summer. When they unexpectedly discover they're now in the same high school, will they be able to rekindle their romance?
Beca, a freshman at Barden University, is cajoled into joining The Bellas, her school's all-girls singing group. Injecting some much needed energy into their repertoire, The Bellas take on their male rivals in a campus competition.
A musical about teens in love in the 1950s. It's California 1958 and greaser Danny Zuko (John Travolta) and Australian Sandy Olsson (Olivia Newton-John) are in love. They spend time at the beach, and when they go back to school, what neither of them knows is that they both now attend Rydell High. Danny's the leader of the T-Birds, a group of black leather jacket-wearing greasers while Sandy hangs with the Pink Ladies, a group of pink-wearing girls led by Rizzo (Stockard Channing). When they clash at Rydell's first pep rally, Danny isn't the same Danny from the beach. They try to be like each other so they can be together.Written by
Alex Schultz <NedSDeclassified2967>
In his book "Sex, Drugs, Rock and Roll and Musicals" author Scott Miller dissects how revolutionary Grease was to the 1970s scene, and to culture at the time in general. It was very much in the tradition of Hair, right down to it's Hair-inspired title, and like its predecessor meant to be an anti-musical musical and a revolutionary and counter-cultural piece; that is it meant to shake up the conventions of the world of Broadway with raw conversations about sex and rebelliousness. "Like Hair before it and The Rocky Horror Show which would come a year later, Grease is a show about repression versus freedom in American sexuality, about the clumsy, tentative, but clearly emerging sexual freedom of the late 1950s, seen through the lens of the middle of the Sexual Revolution in the 1970s. It's about the near carnal passion 1950s teenagers felt for their rock and roll, the first art form that actually changed human sexuality. (The phrase rock and roll was originally African American urban slang for sexual intercourse, going as far back as the 1920s, and it made its way onto many rhythm and blues recordings before the 1950s.) As theater, Grease finds its roots in the rawness, the rowdiness, the lack of polish that made Hair and other experimental pieces in the 1960s such cultural phenomena. The impact of Hair on Grease can even be seen in the two shows' titles, both taking as their primary symbols the hairstyles of young Americans as a form of rebellion and cultural declaration of independence. Just as the characters of Hair and Grease reject conformity and authority, so too do both Hair and Grease as theater pieces." See more »
After Cha Cha brings down her scarf to start the car race on Thunder Road, an Amtrak train is visible above the concrete riverbank at the left of the screen. The F40 locomotive and Amfleet passenger cars began service in the mid 1970s. See more »
I'm going back to Australia; I might never see you again.
Don't... don't talk that way, Sandy.
But it's true! I've just had the best summer of my life, and now I have to go away. It isn't fair.
[Danny starts kissing her]
Danny, don't spoil it!
It's not spoiling it, Sandy, it's only making it better.
Danny... is this the end?
Of course not; it's only the beginning.
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The beginning credits show the main characters in cartoon form. See more »
Due to licensing issues, recent cable television broadcasts of 'Grease' feature a different soundtrack, with some original songs replaced by cover versions or by new tracks; this is most noticeable in the school dance-off scenes. See more »
No other musical beats this one! The cast is perfect, and it is very funny as well. Travolta is still a babe. Watching this movie, you will be singing the songs with everybody. Fun cast, great songs and appeal still make this a great film today. Grease is still the word!
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