Goin' South

My late father and I always referred to this as the movie we "accidentally" watched on HBO late one night. We were hooked when the posse rode right across the Rio Grande into Mexico and "Ol' Speed" fainted! For the rest of his life he always greeted me in the morning with "Good mornin' Spot!" In much the same vein as another of his favorites (Evil Roy Slade), it is difficult to find two lines together from this movie that can be taken seriously ("Please wipe your feet." . . "I always do!")("I'll be outside running a reference test." . . "Why don't you run one on your skull while you're at it?"). I have watched my home-recorded VHS upwards of 25-30 times and now that the DVD has been released, I look forward to adding it to my collection once again because . . . . "I can do this all day long! I'm talking about . . All Day Long!" Give it a spin and give it a chance.

The critics slammed this movie when it came out, as I recall. Exceedingly lofty expectations for Jack the director or something, I don't know. I just know that 25 years has made this movie better. I liked it from the start, and it seems that the rest of the world is coming around.

There are slow sections of this film, to be sure. But the great lines! "I wouldn't take you to a dog fight if you was the defendin' champion!" "We were just sayin' how much we needed a figurine." "Good mornin', ladies! I SHORE ENJOYED them CANNED APRICOTS LAST NIGHT!!!"

It bears up well to repeated watchings. What higher rating can a movie have?

It's post-war Texas. Petty criminal Henry Lloyd Moon (Jack Nicholson) is set to hang. Due to the lack of men, there is a local law allowing a woman to marry and take responsibility for such a criminal. Julia Tate (Mary Steenburgen) volunteers to marry him. She needs help to work on a secret gold mine and plans to move away to Philadelphia before being evicted by the approaching railroad.

This law seems problematic. There are unexplored unintended consequences. Nicholson has such a prankster personality that he doesn't accentuates his criminal's threatening personality. Steenburgen doesn't help to heighten the romance. That is this movie's major issue. At no point do I buy this couple loving or even liking each other. Jack Nicholson is trying his hand in directing and he doesn't show much great skills. It's not visually arresting and he seems to just let the actors go. The movie never convinces me of the couple's love and I could never buy any cooperation in the gold. It's almost a relief that he takes a turn but I never believed it. This movie has some central flaws and can't work its way out of them.

Henry Moon (Jack Nicholson) is captured for a capital offense by a posse when his horse quits while trying to escape to Mexico . Henry saving himself from lynching by marrying a spinster (Mary Steenburgen , though Meryl Streep and Jessica Lange considered the role) . Moon/Nicholson saved from the hangman , for a fate worse than death . There , then appears his refreshingly offbeat Old Gang (Veronica Cartwright , Tracey Walter , Jeff Morris and Danny DeVito)

This Western comedy contains laughters , action , shootouts , brawls and amusement . Lots of attempts at comedy but it falls flat . Entertaining and funny Western , not for all tastes , with touches of humor here and there . Overacting by Jack Nicholson at an outlandish character attempting to like , including jokes and silly laughs , but only a few work . Feature film debut for Mary Steenburgen , whose role Jane Fonda and Anne Bancroft turned down ; furthermore , a small role for John Belushi as a gunfighter Deputy . Very good support cast such as Christopher Lloyd as Deputy Towfield , Veronica Cartwright as Hermine , Richard Bradford as Sheriff Andrew , Jeff Morris as Abe, Moon's Old Gang , Danny DeVito as Hog , Ed Begley Jr as Haber , Anne Ramsey as Spinster , Tracey Walter as Coogan and Luana Anders as Lorette Anderson. Colorful as well as evocative cinematography by the great Spanish cameraman Nestor Almendros .

The motion picture was middlingly directed by Jack Nicholson , though the studio originally intended for Elliott Gould and Candice Bergen to star in the film, with Mike Nichols directing . However , Nicholson didn't want to star in the film , he insisted the movie was logistically too ambitious for him to divide his attention between acting and directing . Nicholson had previously directed his first film in 1971 titled ¨Drive he said¨ played by his friends Bruce Dern and Karen Black ; he subsequently co-produced and semi-directed with Monte Hellman two strange Westerns titled ¨The shooting ¨and ¨Ride in the whirlwind¨ ; after that , he played ¨Missouri¨ another Western directed by Arthur Penn with Marlon Brando . Nicholson's final filmmaking was ¨The two Jakes¨ .¨Goin' South" rating : Mediocre but entertaining . The picture will appeal to Jack Nicholson hardcore fans .

Going' South is directed by Jack Nicholson who also stars. It's co- written by John Herman Schneider, Al Ramrus, Charles Shyer and Alan Mandel. Co-starring with Nicholson is Mary Steenburgen and Christopher Lloyd. Music is by Perry Botkin Junior and cinematography by Nestor Almendros.

1866, Longhorn, Texas and plot finds Nicholson as Henry Lloyd Moon, a small time outlaw who is captured and sentenced to hang. But a strange ordinance from Civil War days allows a condemned man to escape the gallows if an unmarried lady of the town is prepared to take him as a husband. Enter Julie Tate (Steenburgen), a virginal lady who is poles apart from the crude and scruffy Moon, who takes him in purely to help her work in the mine on her land that she insists contains gold. Could these two opposites actually develop a relationship? Can there be trust there? Will Moon survive the wrath of vengeful deputy Towfield (Lloyd) who believes Moon stole his gal?

Barely noticed upon release, where few critics of the day were prepared to give it some credit, Jack Nicholson's second film as a director found a firm fan base down in the cult basement. The advent of DVD has seen it get more exposure to film fans and critics and its stock has risen. Yes! It's still a bit too off-beat for some, the quirky comedy Western has always struggled to get mainstream praise anyway, but viewing these days it plays out as enjoyable fare whilst simultaneously giving us early glimpses of future stars of film.

In truth the film's comedic high points come in the first quarter and Nicholson strains to reach those heights again. Once the odd couple retreat to the genteel out of the way matrimonial home, the simple premise takes over and the couple engage in a battle of wills between horny beast and angelic being. On the edges of the frame popping in to view from time to time are hostile railroad officials putting the squeeze on Julia as they want her land, deputy Towfield and his cronies and Moon's old gang, the latter of which provides the catalyst for chaos. Sometimes crude, sometimes silly, the film does retain amusing worth throughout, with some zippy lines that remain quotable. Nicholson and Steenburgen are perfect foil for each other, so it's well performed and it also looks nice thanks to Almendros' photography.

The likes of John Belushi, Danny DeVito, Veronica Cartwright and Tracey Walter are in the support slots, none of whom get time enough to really impact upon the proceedings as their fans would like. It's interesting to see Lloyd and Steenburgen working together in the genre this early, because they would reteam in the Western themed third part of the Back to the Future trilogy 12 years later. While further continuation novelty sees Lloyd, DeVito and Nicholson back together after working on One Flew Over the Cuckoo's Nest in 75. DeVito would swap chairs with Nicholson and direct the star in Hoffa in 1992.

More a amiable smile inducer than a side splitter, Going' South is worth seeking out if you have a kink for off-beat Oaters. 7/10