A local Kung Fu expert is hired to form a team of guards to escort an dying man to a doctor. In order that they reach the doctor in time, they must pass through the "Stormy Hills", which ...
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A young man poses as "the Whip King" and collects the reward for a bandit he has seen killed by a famous bounty hunter. He must now learn Kung Fu if he is to live up to this new persona and conquer the enemies he has inherited.
After the execution of his family by a gang, Lei Shao-feng is spared by its afflicting leader who stands in the way of him becoming reunited with his love, as does a traitorous friend, who takes advantage of their predicament.
Mei Xing He is a local hero, as known as "Killer Meteors", his secret weapon makes him invincible. However, when Hua Wu Bin, another powerful local character seeks his assistance, Mei Xing He will face the deadliest challenge of his life.
Shing Lung (Jackie Chan) is a youngster, living in a remote village with his grandfather who teaches him Kung-Fu. He keeps getting into fights, even though his grandfather warns him not to ... See full summary »
A local Kung Fu expert is hired to form a team of guards to escort an dying man to a doctor. In order that they reach the doctor in time, they must pass through the "Stormy Hills", which are plagued by bandits, savages, evil monks, and more.Written by
It is a pervasive feature of the written history of Chinese martial arts films (from CFW's long-extinct periodical "Martial Arts Movies" to the pioneering coffee table book "Martial Arts Movies: From Bruce Lee to the Ninjas" by Ric Meyers) that Jackie Chan languished in a series of both artistically and commercially disastrous films before attaining stardom in 1978 with "Snake in the Eagle's Shadow". The general idea is that Chan was being held back by his director/mentor Lo Wei, who was such a humorless square that he saw no merit in Chan's comedic aspirations and insisted on trying to sell the young actor as the new Bruce Lee in a series of straight dramatic roles. This contention has been repeated so often that even today it is uncritically accepted as fact. Well, guess what? It's a bunch of baloney. In the first place, Chan starred in only one Bruceploitation film: "New Fist of Fury". Thereafter, he was cast in period costume productions (in contrast to Lee, who never made a period film). Secondly, some of these movies--like "Snake and Crane Arts of Shaolin" and "Spiritual Kung-Fu"--featured comedic elements. Thirdly, Chan almost always did a respectable job when assigned a dramatic role. Finally, while there's no doubt that comedy kung-fu made him a star, it's debatable how good films like "Snake in the Eagle's Shadow" and "Drunken Master" really are. They were wildly popular, certainly, but unless you consider slapstick the highest art ever achieved by human civilization, they're pretty cringeworthy. "Magnificent Bodyguards", neither a deadly serious dramatic picture nor a screwball comedy, stars Chan alongside James Tien and Leung Siu-lung (Bruce Leung); they are martial arts experts who have been hired to escort a sick man on his journey to see a physician. Along the way they fight off bandits, hostile Buddhist monks and an assortment of other characters. Based on a tale by Taiwanese wuxia novelist Ku Lung, the film is not a classic by any means, but it's watchable. There are lengthy, entertaining fight scenes and Chan does just fine in his non-comedic role. (Bizarrely, the movie was shot in 3D, which is why there are so many kicks and jabbing weapons aimed directly at the camera.) Further putting the kibosh on the myth that Chan's early films were all unmitigated disasters, "Magnificent Bodyguards" was a success at the box office. Don't believe everything you read!
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