Eyes of Laura Mars (1978)

A famous fashion photographer develops a disturbing ability to see through the eyes of a killer.

Director:

Irvin Kershner

Writers:

John Carpenter (screenplay), David Zelag Goodman (screenplay)

Stars:

Faye Dunaway, Tommy Lee Jones, Brad Dourif

1 win & 1 nomination.

Cast

Cast overview, first billed only:
Faye Dunaway	...	Laura Mars
Tommy Lee Jones	...	John Neville
Brad Dourif	...	Tommy Ludlow
Rene Auberjonois	...	Donald Phelps
Raul Julia	...	Michael Reisler (as R.J.)
Frank Adonis	...	Sal Volpe
Lisa Taylor	...	Michele
Darlanne Fluegel	...	Lulu
Rose Gregorio	...	Elaine Cassell
Bill Boggs	...	Himself
Steve Marachuk	...	Robert
Meg Mundy	...	Doris Spenser
Marilyn Meyers	...	Sheila Weissman
Gary Bayer	...	Reporter
Mitchell Edmonds	...	Reporter

Storyline

Suddenly Laura Mars can see through the eyes of a serial killer as he commits his crimes. She contacts the police and with the aid of a police detective, tries to stop the killer. But first, they have to figure out who it is.

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Plot Keywords:

asking to be murdered | murdering one's lover | murder of a woman | murder of a police officer | serial murder | 

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Genres:

Mystery | Thriller

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Certificate:

R

Details

Official Sites:

Sony Movie Channel [United States]

Country:

USA

Language:

English

Release Date:

2 August 1978 (USA)

Also Known As:

Eyes

Filming Locations:

Columbus Circle, Manhattan, New York City, New York, USA

Box Office

Budget:

$7,000,000 (estimated)

Gross USA:

$20,000,000

Company Credits

Production Co:

Columbia Pictures Corporation,Major Studio Partners

Technical Specs

Runtime:

104 min

Sound Mix:

Mono

Color:

Color (Metrocolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

70s disco-era fashion photographer Chris Von Wangenheim's work (graphic photos depicting sex and violence) was the inspiration for Laura Mars' style of photography.

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Goofs

When Laura enters her studio above the empty warehouse, she is wearing red high-heeled shoes. When she runs in terror through the warehouse, she is wearing sneakers, but immediately afterwards, she is once again wearing the high-heeled shoes.

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Quotes

Laura: I'm completely out of control!

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Crazy Credits

The film's closing credits roll over the first image of the movie, a black and white image of Laura's eyes as a negative.

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Connections

Featured in Best! Movies! Ever!: Fashion (2007)

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Soundtracks

Love Theme (Prisoner)
Sung by Barbra Streisand
Words and Music by Karen Lawrence & John Desautels
Produced by Gary Klein

User Reviews

I see you too.

Laura Mars is a very successful fashion photographer who one day starts to get visions of brutal murders being carried out. Troubled and in fear for her sanity, Laura turns to the police for help. But this only adds to her problems as Detective Neville points out to her that the murder scenes bare similarities to some of her staged photographs. The pair of them must figure it out quickly because the murderer is closing in on Laura and those close to her.

In 1978, John Carpenter thrilled horror fans with his baby sitting terror piece, Halloween. Also released was this mystery/thriller/horror film, written by Carpenter and directed by Irvin Kershner {The Empire Strikes Back} which is a film that has been called anything from innovative to outright rubbish. The truth is that where Halloween is a horror film of no character substance, Eyes Of Laura Mars is a completely different animal. It's bright blending of 70s fashion photography with Carpenter's dastardly tale {tho the final draft was tampered by many}, is a success. This is a psychological thriller first and foremost, yes horror elements are there {it's a done deal with a serial killer on the loose}, but running alongside a clever romantic angle, the film gains an intensity that few other 70s psychological thrillers can boast.

The cast, other than an insipidly hammy Raul Julia, also come out rather well. Faye Dunaway {Mars}, Tommy Lee Jones {Neville}, Brad Dourif {horror staple that he is} and Rene Auberjonois give credit to well formed characters. Technically it's a fine picture as well, Irvin Kershner and his cinematographer Victor J. Kemper excellently utilise the New York City location. Especially during the fashion shoot sequences, where the 70s and its glamour is fully realised. "Innovated" blurred corridor shots to portray Laura's terrible visions are creepy and highly effective, while i would be surprised if anyone doubted the impact of a mirror shot in the glorious finale.

Thought by many to have not aged well, Eyes Of Laura Mars is often consigned to the cupboard marked "dated", that's unfair because good thrillers are good thrillers, regardless of age. Emotionally strong and pulsing with imminent terror, this is a badly undervalued, and forgotten picture. 8/10