New York private eye Shamus McCoy likes girls, drink and gambling, but by the look of his flat business can't be too hot. So an offer of $10,000 to finds some diamonds stolen in a daring ... See full summary »
Wendell Lawson has only 6 months to live. Not wanting to live his last few months of life waiting for the end, he decides to take his own life. He enlists the help of a humorously delusional mental patient, and the movie chronicles his many unsuccessful attempts to kill himself. Will he ever succeed...?Written by
James Best, who served as associate producer and has a small part as a pacemaker patient, was hired by Burt Reynolds to rewrite the script to make his character more in-depth. See more »
When Wendell Lawson slams on his brakes next to the funeral procession in front of the Church, the shadow of the Church steeple and crucifix appear on his forehead. However in the cutaway to the Church, we clearly see there are no shadows anywhere on the face of the Church, indicating that the sun is in front of the Church and not behind it, thus unable to produce a shadow on Wendell.
In addition the size of the shadow on Wendell's face was some 3-4 inch. It could not be casted by a life size steeple but a small mock-up. See more »
Death is serious business, no doubt. No moreso than the people who come in contact with it. In fact, is there ANYTHING funny about dying?
If you're Burt Reynolds and you find out you only have a few months left to live, then YES. And the evidence is in one of his maiden directing efforts, "The End".
As a terminally-ill man, Reynolds practically drives himself crazy trying to get his life in order and end it at the same time. However, he has to deal with an inattentive ex-wife (Woodward), flaky parents (Loy and O'Brien), an even-flakier girlfriend (Field), an overly-mature daughter (MacNicol), a dense lawyer (Steinberg), a novice priest (Benson) and a schizophrenic mental patient (DeLuise) who wants to help Reynolds reach his end goal in the worst way.
The topic is morbid, to be sure, but there are indeed (dark) laughs here. Reynolds' hand never falters and he makes the most of every scene he's in as a man who's at the end of his rope (literally, in one case) and can find no solace even in chasing down a funeral procession to find out what the guy in the hearse died of.
To say that DeLuise steals the movie isn't enough; he steals it, runs for the border, makes a clean getaway and never looks back. There is more bad taste to be had when we discover his character is Polish and Dom then rattles off a few bad Polish jokes to Reynolds. "Kids can be cruel", Reynolds consoles. "What kids", DeLuise responds, "I heard these from my parents!" How inspiringly nasty. My one favorite scene has to be where Dom tries to help Burt jump out of the bell tower in the mental institution he is incarcerated in (You're right: it's not high enough!"). It's great and there's a lot more scenes like that, sprinkled throughout.
For some of us, though, it's hard to laugh at suicide, let alone death. But the morbid, gallows humor here doesn't celebrate death like a lot of bigger-budget movies do - this is a movie about life, living and doing everything you can while you have the chance. And THAT is really what "The End" is about - not the end but everything you do before the end gets here. And in that respect, Burt succeeds.
Eight stars and a golden noose for "The End" - the movie that'll make you love life...and think twice about coming near Dom DeLuise with a Polish joke. Ever.
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