New York private eye Shamus McCoy likes girls, drink and gambling, but by the look of his flat business can't be too hot. So an offer of $10,000 to finds some diamonds stolen in a daring ... See full summary »
Ernest 'Stick' Stickley returns from prison, and very soon he gets involved with his old friend in a drug-running deal that goes sour. Hired by a rich investor, he tries to walk the line, ... See full summary »
Wendell Lawson has only 6 months to live. Not wanting to live his last few months of life waiting for the end, he decides to take his own life. He enlists the help of a humorously delusional mental patient, and the movie chronicles his many unsuccessful attempts to kill himself. Will he ever succeed...?Written by
When Wendell Lawson slams on his brakes next to the funeral procession in front of the Church, the shadow of the Church steeple and crucifix appear on his forehead. However in the cutaway to the Church, we clearly see there are no shadows anywhere on the face of the Church, indicating that the sun is in front of the Church and not behind it, thus unable to produce a shadow on Wendell.
In addition the size of the shadow on Wendell's face was some 3-4 inch. It could not be casted by a life size steeple but a small mock-up. See more »
The original theatrical version had Glen Campbell singing the movie's theme, "Here's Another Fine Mess", but later prints had Paul Williams singing the song. The Campbell version is restored on the current TV versions and the Olive Films Blu-Ray. See more »
For a guy diagnosed with a terminal disease, Burt Reynolds sure pumped a lot of life into this film.
This is the ultimate in black comedies, a man is told he's got a little over a year to live. We would all react in different ways. Burt Reynolds gets this cheerful bit of news and goes immediately berserk and starts acting all kinds of crazy.
Of course everyone around him sees him differently. Wife Joanne Woodward, girl friend Sally Field, parents Pat O'Brien and Myrna Loy. Burt pushes all their buttons except O'Brien who seems oblivious to all.
Reynolds always had a marvelous gift for comedy that in his prime period of the seventies was utilized rather well. His career seemed to go in the same path as Tom Selleck's, I think they could have played a lot of each other's parts.
Of course it was nice to see two veterans of old Hollywood, Myrna Loy and Pat O'Brien in support. They never disappoint.
My favorites though are Strother Martin as the officious head of a mental institution where Reynolds gets committed after some bizarrely unsuccessful suicide attempts and Dom DeLuise as another patient there.
DeLuise when he gets going approaches Robin Williams kind of zaniness and he was working on all cylinders in this film. He's ready to offer all kinds of help to Burt to fulfill his mission.
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