Hyvästi, Emmanuelle

Original title: Goodbye Emmanuelle

1977
K-18
1h 38m

IMDb RATING

4.0/10

YOUR RATING

Drama Romance

Emmanuelle and her architect husband continue their amoral lifestyle in the Seychelles. But when a casual dalliance between her and a film director starts to turn serious her husband shows v... Read allEmmanuelle and her architect husband continue their amoral lifestyle in the Seychelles. But when a casual dalliance between her and a film director starts to turn serious her husband shows very traditional signs of jealousyEmmanuelle and her architect husband continue their amoral lifestyle in the Seychelles. But when a casual dalliance between her and a film director starts to turn serious her husband shows very traditional signs of jealousy

See production, box office & company info

IMDb RATING

4.0/10

YOUR RATING

See production, box office & company info

See more at IMDbPro

Videos1

Trailer 1:31

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Photos17

Sylvia Kristel and Jean-Pierre Bouvier at an event for Hyvästi, Emmanuelle (1977)

Sylvia Kristel in Hyvästi, Emmanuelle (1977)

Sylvia Kristel and Jean-Pierre Bouvier in Hyvästi, Emmanuelle (1977)

Caroline Laurence in Hyvästi, Emmanuelle (1977)

Sylvia Kristel, Caroline Laurence, and Umberto Orsini in Hyvästi, Emmanuelle (1977)

Sylvia Kristel and Umberto Orsini in Hyvästi, Emmanuelle (1977)

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Trivia
Final 'Emmanuelle' film of the 1970s in the official 'Emmanuelle' series.

Goofs
The copyright notice behind the main title card shows the year in Roman numerals MCMLXVII, that is, 1967. The correct one (1977) would be MCMLXXVII.

Quotes
Emmanuelle: A dress must always reveal enough.Just enough to tease men.

Connections
Featured in Dusk to Dawn Drive-In Trash-o-Rama Show Vol. 3 (1996)

Soundtracks
Goodbye Emmanuelle
Music by Serge Gainsbourg and Jean-Pierre Sabar
Lyrics by Serge Gainsbourg
Performed by Serge Gainsbourg

User reviews10

Review

Featured review

4/10

The third installment still has plenty of nudity, but is less erotic and more about the dynamic of relationships

Emmanuelle (Sylvia Kristel) and her husband (Umberto Orsini) now live in the Seychelles and continue with their polyamorous relationships. However, when a young director (Jean-Pierre Bouvier) has an affair with Emmanuelle, her husband at last displays jealousy.

The third Emmanuelle film offers more of the same, with a slight twist from the previous films in that their sexual liaisons show more relationship conflict and in that sense perhaps demonstrates a bit more normal human behaviour. Although there is still plenty of nudity, it feels less erotic in tone than the previous two films with a little more psychology behind it. Kristel meanwhile, seems bored with the role by now.

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