During the Vietnam War, Captain Willard is sent on a dangerous mission into Cambodia to assassinate a renegade Colonel who has set himself up as a god among a local tribe.
A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
Director:
Martin Scorsese
Stars:
Robert De Niro,
Jodie Foster,
Cybill Shepherd
A tale of greed, deception, money, power, and murder occur between two best friends: a mafia enforcer and a casino executive, compete against each other over a gambling empire, and over a fast living and fast loving socialite.
After settling his differences with a Japanese P.O.W. camp commander, a British Colonel co-operates to oversee his men's construction of a railway bridge for their captors, while oblivious to a plan by the Allies to destroy it.
Director:
David Lean
Stars:
William Holden,
Alec Guinness,
Jack Hawkins
A pragmatic U.S. Marine observes the dehumanizing effects the Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.
Director:
Stanley Kubrick
Stars:
Matthew Modine,
R. Lee Ermey,
Vincent D'Onofrio
A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.
Director:
Sergio Leone
Stars:
Robert De Niro,
James Woods,
Elizabeth McGovern
Michael, Steven and Nick are young factory workers from Pennsylvania who enlist into the Army to fight in Vietnam. Before they go, Steven marries the pregnant Angela, and their wedding party also serves as the men's farewell party. After some time and many horrors, the three friends fall in the hands of the Vietcong and are brought to a prison camp in which they are forced to play Russian roulette against each other. Michael makes it possible for them to escape, but they soon get separated again.Written by
Leon Wolters <wolters@strw.LeidenUniv.nl>
The bar was specially constructed in an empty storefront in Mingo Junction, Ohio for twenty-five thousand dollars. It later became a real saloon for local steel mill workers. See more »
Goofs
In the bar scene at the beginning of the film, a supposedly live football game on the TV is obviously film, complete with many scratches on the image. See more »
Quotes
[first lines]
Michael:
Hey, watch out, Axel. We'll be calling him old fireballs after tonight.
Axel:
Fuckin' A.
Michael:
Not bad.
See more »
Crazy Credits
We gratefully acknowledge the cooperation of our Thai crew in the production of "The Deer Hunter" See more »
Alternate Versions
The Region 2 Spain DVD is cut for violence. See more »
A comment re the other comments: A lot of the comments criticize the first half hour as being too long. In my opinion, these comments miss the point of the movie.
Of course many of the scenes in the first hour don't advance the narrative. They're not supposed to; they're for character development.
The whole point of the movie is to show us how the various characters were affected by the war. It wouldn't have worked nearly as powerfully as it does had the first hour been trimmed down. We have to sense the careless and frat-boy-like immaturity of these young men. That's why the scenes all revolve around frivolity and seemingly senseless boyish behavior; it creates such a stark contrast to the devastated characters of the three who went to war (and the relatively unaffected personalities of those who stayed behind, like Stanley).
The strong points of the film are the outstanding performances of nearly every actor in the movie. Yes, there are technical deficiencies in the sound, but it hardly matters. This is nitpicking compared to the overall construction of the film.
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A comment re the other comments: A lot of the comments criticize the first half hour as being too long. In my opinion, these comments miss the point of the movie.
Of course many of the scenes in the first hour don't advance the narrative. They're not supposed to; they're for character development.
The whole point of the movie is to show us how the various characters were affected by the war. It wouldn't have worked nearly as powerfully as it does had the first hour been trimmed down. We have to sense the careless and frat-boy-like immaturity of these young men. That's why the scenes all revolve around frivolity and seemingly senseless boyish behavior; it creates such a stark contrast to the devastated characters of the three who went to war (and the relatively unaffected personalities of those who stayed behind, like Stanley).
The strong points of the film are the outstanding performances of nearly every actor in the movie. Yes, there are technical deficiencies in the sound, but it hardly matters. This is nitpicking compared to the overall construction of the film.