After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action, while attempting to liberate a twelve-year-old prostitute.
Robert De Niro,
A tale of greed, deception, money, power, and murder occur between two best friends: a mafia enforcer and a casino executive, compete against each other over a gambling empire, and over a fast living and fast loving socialite.
Michael, Steven and Nick are young factory workers from Pennsylvania who enlist into the Army to fight in Vietnam. Before they go, Steven marries the pregnant Angela, and their wedding party also serves as the men's farewell party. After some time and many horrors, the three friends fall in the hands of the Vietcong and are brought to a prison camp in which they are forced to play Russian roulette against each other. Michael makes it possible for them to escape, but they soon get separated again.Written by
Leon Wolters <wolters@strw.LeidenUniv.nl>
According to Producer Michael Deeley, orchestrated lobbying against the film was led by Warren Beatty, whose own picture Heaven Can Wait (1978) had multiple Oscar nominations. Beatty also used ex-girlfriends in his campaign: Julie Christie, serving on the jury at the Berlin Film Festival where the film was screened, joined the walkout of the film by the Russian jury members. Jane Fonda also criticized the film in public. Deeley suggested that her criticisms partly stemmed from the competition between her film, Coming Home (1978), vying with this movie for Best Picture. According to Deeley, he planted a friend of his in the Oscar press area behind the stage to ask Fonda if she had seen the film. Fonda replied she had not seen the film, and to this day she still has not. Backstage at the Academy Awards, she told Michael Cimino that his movie was the "racist Pentagon version of the war", which she claimed without having seen it. Go figure. See more »
In the first hunting scene as they're changing their clothes, Michael and Stan are arguing about Mike's boots. Nicky is seen putting on a sweater and had both arms in when it cuts back to Mike who delivers his "This is this" lines. When it cuts back to Stan and Nicky, Nicky is once again putting the sweater on as if it was never on in the first place. See more »
Hey, watch out, Axel. We'll be calling him old fireballs after tonight.
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We gratefully acknowledge the cooperation of our Thai crew in the production of "The Deer Hunter" See more »
"The Deer Hunter" is 32 years old. How extraordinary to sit through it now. Walking over the politics that divided , somehow, all of its admirers then. "Great film but..." How silly to think of it now. Michael (a sensational young Robert De Niro) is as extreme a character as Rocco was in "Rocco And His Brothers" His goodness, the one that was always there but that he discovers under the most horrendous circumstances, underlined by Stanley Mayers's "Cavatina" permeates the entire film. I remember thinking, when I saw the film for the first time, that I couldn't or wouldn't spend ten minutes with Michael and his friends, the ones we meet at the beginning of the film but by the end I thought of them as brothers and I loved them. I actually loved them. That in itself is a sort of film miracle. John Savage will break your heart, it certainly broke mine and Christopher Walken is absolutely riveting. How strange to tho think that Michael Cimino, still a young man, is nowhere to be seen. Is still a punishment for "Heaven's Gate" and "Indecent Exposure" or there is something else we don't know about. The Cimino behind "The Deer Hunter" is a true master.
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