Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
The zombie apocalypse has hit Earth. Two personnel from a TV station and two policemen set off in a helicopter to find a safe place to hide out. Their search leads them to a shopping mall where they manage to find a place that, while not zombie-free, is quite secure. So far, so good.Written by
Zombie actors took photographs of themselves dressed up in full zombie makeup inside a photo booth on the second floor. They then replaced the sample pictures on the front of the booth with the ghoulish ones. See more »
When Roger and Peter are entering Penny's department store as they are opening the doors, Roger lays his M-16 outside against the wall. As they fend off the dead Roger clearly throws his M-16 inside and it lands on the floor behind them, yet in later shots it still shows his rifle laying against the wall outside. See more »
George A. Romero appears on screen as a TV Station Director (the bearded man wearing a scarf and a blue shirt) as his name appears, listing him as "Editor", in the on-screen credits beneath him. See more »
Old (banned) German version ("Zombie") is 102 minutes long, has most of the violence in, but a lot of dialogue cut. A newer German version ("Zombie - Das Original") 110 (PAL) minutes long, missing nearly all of the violence. Later, an "uncut" German version (117 min.) was been re-released as a rental-only video. See more »
When you want brutal, look no further, but when you also want to see perhaps the greatest of all comic-book movies not based on a comic-book, it's in George Romero's original take on his continuing mythology. It's not just one of the towering horror films, or horror comedies (what will a poor dead fellow do when the escalator starts?!) but one of the great sequels, more ambitious and ass-kicking than its predecessor, with a filmmaker more confident and technically proficient with his abilities.
Romero didn't originally want to do *any* sequel to his original 'Night', but after a visit by some friends to a soon-to-open mall nearby his hometown of Pittsburgh, it struck a chord as to who would be coming here – and what so much consumerism in one place would mean. "Why do they come here?" one of the four survivors that happens upon this mall swarming with these flesh-eaters asks another. "This meant something to them. Instinct, maybe. This was an important part of their lives," he responds.
I don't think necessarily Romero meant to show the film as any sort of 'This is what will happen!" type of social horror thing. It's more about, this is where we are at NOW, and in that sense, though broader and a whole LOT bloodier, it holds a place right next to a film like Network as one of the magnificent satires of its time and place, and as much about what the public is like. Romero acts as both pessimist and optimist in this world though; past all the chopped limbs, exploding heads (oh yeah!), Tom Savini stunt and make-up and intestines ripped apart, what holds up the film for me is seeing these four characters come to grip with the horror they've made for themselves, holding up in this "paradise" of a mall.
Balls-to-the-wall horror, social horror, and some genuine paranoid horror stuff (note to self, never try and fire a gun at a single zombie when in a dark room full of electrical wiring and pipes), and plenty of rock and roll attitude, this is a personal favorite and the most entertaining horror film of its time. And the Goblin music soundtrack yummy.
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