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IMDbPro

Dawn of the Dead

  • 19781978
  • UnratedUnrated
  • 2h 7m
IMDb RATING
7.8/10
119K
YOUR RATING
POPULARITY
3,095
119
John Paul in Dawn of the Dead (1978)
Trailer for Dawn Of The Dead
Play trailer2:40
5 Videos
99+ Photos
  • Horror
  • Thriller
Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge i... Read allFollowing an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
IMDb RATING
7.8/10
119K
YOUR RATING
POPULARITY
3,095
119
  • Director
    • George A. Romero
  • Writer
    • George A. Romero
  • Stars
    • David Emge
    • Ken Foree
    • Scott H. Reiniger
Top credits
  • Director
    • George A. Romero
  • Writer
    • George A. Romero
  • Stars
    • David Emge
    • Ken Foree
    • Scott H. Reiniger
  • See production, box office & company info
    • 762User reviews
    • 178Critic reviews
    • 71Metascore
  • See more at IMDbPro
    • Awards
      • 2 wins & 2 nominations

    Videos5

    Dawn of the Dead (1978)
    Trailer 2:40
    Dawn of the Dead (1978)
    Dawn of the Dead (1978)
    Trailer 1:01
    Dawn of the Dead (1978)
    Dawn of the Dead (1978)
    Trailer 3:44
    Dawn of the Dead (1978)
    Upside Down the Rabbit Holes of "Stranger Things"
    Clip 3:45
    Upside Down the Rabbit Holes of "Stranger Things"
    Scariest Movie Moments
    Video 1:34
    Scariest Movie Moments

    Photos784

    Dawn of the Dead (1978)
    John Paul in Dawn of the Dead (1978)
    John Paul in Dawn of the Dead (1978)
    Goblin and Sharon Hill in Dawn of the Dead (1978)
    John Paul in Dawn of the Dead (1978)
    John Paul in Dawn of the Dead (1978)
    John Paul in Dawn of the Dead (1978)
    John Paul in Dawn of the Dead (1978)
    John Paul in Dawn of the Dead (1978)
    John Paul in Dawn of the Dead (1978)
    John Paul in Dawn of the Dead (1978)
    Dawn of the Dead (1978)

    Top cast

    Edit
    David Emge
    David Emge
    • Stephenas Stephen
    Ken Foree
    Ken Foree
    • Peteras Peter
    Scott H. Reiniger
    Scott H. Reiniger
    • Rogeras Roger
    Gaylen Ross
    Gaylen Ross
    • Francineas Francine
    David Crawford
    • Dr. Fosteras Dr. Foster
    David Early
    • Mr. Bermanas Mr. Berman
    Richard France
    Richard France
    • Scientistas Scientist
    Howard Smith
    Howard Smith
    • TV Commentatoras TV Commentator
    Daniel Dietrich
    • Givensas Givens
    Fred Baker
    • Commanderas Commander
    James A. Baffico
    • Wooleyas Wooley
    • (as Jim Baffico)
    Rod Stouffer
    • Young Officer on Roofas Young Officer on Roof
    Jese Del Gre
    • Old Priestas Old Priest
    Clayton McKinnon
    • Officer in Project Apt.as Officer in Project Apt.
    John Rice
    John Rice
    • Officer in Project Apt.as Officer in Project Apt.
    Ted Bank
    • Officer at Police Dockas Officer at Police Dock
    Randy Kovitz
    Randy Kovitz
    • Officer at Police Dockas Officer at Police Dock
    Patrick McCloskey
    • Officer at Police Dockas Officer at Police Dock
    • Director
      • George A. Romero
    • Writer
      • George A. Romero
    • All cast & crew
    • See more cast details at IMDbPro

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Tom Savini chose the gray color for the zombies' skin, since Night of the Living Dead (1968) was in B&W and the zombie skin-tone was not depicted. He later said it was a mistake, because many of them ended up looking quite blue on film.
    • Goofs
      When Roger runs out of a truck and back toward the mall, one particular zombie in a red-and-black striped shirt gets out of character and decides to tuck in his shirt.
    • Quotes

      Francine Parker: They're still here.

      Stephen: They're after us. They know we're still in here.

      Peter: They're after the place. They don't know why; they just remember. Remember that they want to be in here.

      Francine Parker: What the hell are they?

      Peter: They're us, that's all. There's no more room in hell.

      Stephen: What?

      Peter: Something my granddaddy used to tell us. You know Macumba? Voodoo. Granddad was a priest in Trinidad. Used to tell us, "When there's no more room in hell, the dead will walk the Earth."

    • Crazy credits
      George A. Romero appears on screen as a TV Station Director (the bearded man wearing a scarf and a blue shirt) as his name appears, listing him as "Editor", in the on-screen credits beneath him.
    • Alternate versions
      The original UK cinema version (aka Romero's 'theatrical print') was cut by 3 mins 46 secs by the BBFC to remove an exploding head and a screwdriver killing plus stabbings and scenes of disembowelment, and the 1989 video version lost a further 12 secs of gore and shooting plus a scene of a woman's neck being bitten during the housing project sequence. Some cuts were restored in the alternate 1997 Directors Cut video although 6 secs remained missing including the exploding head, neck bite and an additional edit to the shooting of the two zombie children (in response to the 1997 Dunblane massacre). All cuts were fully waived in 2003 from both the Directors Cut and the original theatrical versions. The later Blu-Ray release by Arrow was uncut as well.
    • Connections
      Edited into Cent une tueries de zombies (2012)
    • Soundtracks
      Cosmogony Part 1
      (uncredited)

      Composed by Paul Lemel

      Published by De Wolfe Music Ltd.

    User reviews762

    Review
    Top review
    9/10
    Astonishing and ambitious satire; one of the great films of the 1970s.
    'Dawn of the dead' may lack the pulverising immediacy of 'Night of the Living Dead', but it gains in exhilirating, epic scope. It is one of the best films of the 1970s, a reckless, hubristic, over-ambitious masterpiece whose excess is reined in by its Langian formal precision. The claustrophobia of the first film is replaced by a wider frame of reference, including the media, the military and suburbia; although, typically, the move is once again towards the indoors.

    The film starts explosively, inside a panicking TV station trying to report on the inexplicable emergence from the earth of the undead. An assorted quartet - two media, two army; three white, one black; three men, one woman - escape in a helicopter used for rush-hour traffic reports. There is a sense of relief in this, a sense of breaking free from the circle of undead enclosing America's major cities.

    But not for long - it seems that modern American man, unlike his pioneering ancestors, cannot stand open spaces, and holes up in a building, a shopping

    mall, which is crawling with zombies, and recognised by the woman as a prison. Not content with this level of confinement, our heroes draw plans, erect barriers, shut down grids. Romero pinpoints this national insularity by framing his modern horror movie as a transposed Western, with the foursome as latterday frontiersmen wiping out the natives, and erecting a new civilisation.

    Some might say that Romero's irony is a little heavy here - the mock-triumphal Western music on the soundtrack; the composition of the four at the height of the crisis standing in front of a sign with just the letters 'U' and 'S' visible; the glee in the gun culture, including an ersatz Western gun store in the mall the 'Red River' like beseiging of the mall by the 'Indian' Hells' Angels on their motorbike/horses complete with tomahawks. But such irony is never stable - Romero keeps pulling the ground from under the viewers' feet, both in terms of character identification, and the shifting meanings embodied by the zombies.

    Romero's terrifying vision is of an America turned in on itself, eating itself through cannibalistic greed, the very system of capitalism based on a cycle of power and repression in which the repressed will never quite go away. 'Night' pulsated with a late 1960s urgency reflecting contemporary social and political upheaval, white capitalist America beseiged by the peoples it had oppressed for centuries. By 1978, that political anger is gone, and America has reverted to being a race of consumer zombies, congregating around massive shopping malls like they're the religious temples of the Incas, trapped there not by the freedom of choice of capitalist propaganda, but mindless instinct.

    the zombies are supposed to be the enemy, the Other in conventional horror terms, but the first thing the so-called heroes do on landing at the mall is substitute urgent survival for gleeful consumerism (compare with the very similar silent fantasy, 'Paris Qui Dort'). There's no way to deal with any outside threat because we are numbed and bloated by products. Reality ceases to exist; there are some beautifully surreal scenes, as our heroes make homes in showrooms.

    The mall sequence as a whole has a Bunuellian savagery about it, and the film builds up an aggression like the characters until all is chaos - tones, modes, genres all colliding, the 'reality' or 'integrity' or, even, 'seriousness' of the film as much in question as the modern world the protagonists live in, where even time seems to stand still, the weeks of the action compressed into the framework of a day, with the night of the living dead giving onto the dawn. It is probably allegorically significant which characters survive, but by the end we're not sure whether we're watching a horror, a comedy, a thriller, a Western, or a very bitter joke. Certainly scarier than 'The Stepford Wives'
    helpful•78
    35
    • the red duchess
    • Jan 10, 2001

    FAQ7

    • What is this movie really about?
    • Is this film related to "Zombi 2"?
    • How many different versions do exist of this movie?

    Details

    Edit
    • Release date
      • 1979 (United States)
    • Countries of origin
      • United States
      • Italy
    • Languages
      • English
      • Spanish
    • Also known as
      • Zombies
    • Filming locations
      • Monroeville Mall - Business Route 22, Monroeville, Pennsylvania, USA
    • Production companies
      • Laurel Group
      • Dawn Associates
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $650,000 (estimated)
    • Gross worldwide
      • $159,822
    See detailed box office info on IMDbPro

    Technical specs

    Edit
    • Runtime
      2 hours 7 minutes
    • Color
      • Color
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.85 : 1

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