Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
There is panic throughout the nation as the dead suddenly come back to life. The film follows a group of characters who barricade themselves in an old farmhouse in an attempt to remain safe from these bloodthirsty, flesh-eating monsters.
Following the events of Night of the Living Dead (1968), we follow the exploits of four survivors of the expanding zombie apocalypse as they take refuge in an abandoned shopping mall following a horrific SWAT evacuation of an apartment complex. Taking stock of their surroundings, they arm themselves, lock down the mall, and destroy the zombies inside so they can eke out a living--at least for a while. Tensions begin to build as months go on, and they come to realize that they've fallen prey to consumerism. Soon afterward, they have even heavier problems to worry about, as a large gang of bikers discovers the mall and invades it, ruining the survivors' best-laid plans and forcing them to fight off both lethal bandits and flesh-eating zombies.Written by
Curly Q. Link
When Stephen wrestles with the zombie on the ground by the hangars at the airport, he retrieves the mallet to strike it on the head. He strikes it twice. If you look carefully, you can see a balding crew member in a green jacket at the far lower-right corner of the screen just before he makes the first strike. Before the second strike, the crew member is gone. See more »
It's Christmastime down there, buddy!
Fat city, brother! How we gonna work it?
If we can get into one of the department stores up top, they'll have their own escalators inside.
Let's go check those keys.
See more »
"... Music by Dario Argento and THE GOBLINS" See more »
There are three main versions of the film. The U.S. Theatrical Version, which George A. Romero considers his definitive cut of the film,runs 127 minutes and was the version released in American theaters in 1979. It contains a mix of both Goblin's soundtrack and several library tracks. Dario Argento's cut, released in Italy under the title ZOMBI, and also known as the European Version, runs 118 minutes. It removes several scenes, mostly anything humorous, emphasizing the horror and action, and has more extensive use of the Goblin music; it runs 118 minutes. The Extended Version or Cannes Film Festival Version runs 139 minutes (this version was erroneously called the 'director's cut' when Elite Entertainment released it on laserdisc). It was assembled to premiere at the 1978 Cannes Film Festival and is something of a workprint. It contains many extended scenes and the soundtrack is almost entirely library tracks. All three versions have been made available on Anchor Bay's DVD box set, the Japanese Happinet/Stingray Blu-Ray box set, and Arrow's UK Blu-Ray box set. See more »
When you want brutal, look no further, but when you also want to see perhaps the greatest of all comic-book movies not based on a comic-book, it's in George Romero's original take on his continuing mythology. It's not just one of the towering horror films, or horror comedies (what will a poor dead fellow do when the escalator starts?!) but one of the great sequels, more ambitious and ass-kicking than its predecessor, with a filmmaker more confident and technically proficient with his abilities.
Romero didn't originally want to do *any* sequel to his original 'Night', but after a visit by some friends to a soon-to-open mall nearby his hometown of Pittsburgh, it struck a chord as to who would be coming here – and what so much consumerism in one place would mean. "Why do they come here?" one of the four survivors that happens upon this mall swarming with these flesh-eaters asks another. "This meant something to them. Instinct, maybe. This was an important part of their lives," he responds.
I don't think necessarily Romero meant to show the film as any sort of 'This is what will happen!" type of social horror thing. It's more about, this is where we are at NOW, and in that sense, though broader and a whole LOT bloodier, it holds a place right next to a film like Network as one of the magnificent satires of its time and place, and as much about what the public is like. Romero acts as both pessimist and optimist in this world though; past all the chopped limbs, exploding heads (oh yeah!), Tom Savini stunt and make-up and intestines ripped apart, what holds up the film for me is seeing these four characters come to grip with the horror they've made for themselves, holding up in this "paradise" of a mall.
Balls-to-the-wall horror, social horror, and some genuine paranoid horror stuff (note to self, never try and fire a gun at a single zombie when in a dark room full of electrical wiring and pipes), and plenty of rock and roll attitude, this is a personal favorite and the most entertaining horror film of its time. And the Goblin music soundtrack yummy.
82 of 94 people found this review helpful.
Was this review helpful to you?
| Report this