7.3/10
10,682
74 user 42 critic

Coming Home (1978)

A woman whose husband is fighting in Vietnam falls in love with another man who suffered a paralyzing combat injury there.

Director:

Writers:

(screenplay), (screenplay) | 1 more credit »

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Won 3 Oscars. Another 11 wins & 14 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Sally Hyde
... Luke Martin
... Capt. Bob Hyde
... Vi Munson
... Bill Munson
... Sgt. Dink Mobley
Mary Gregory ... Martha Vickery
... Kathy Delise
Beeson Carroll ... Capt. Earl Delise
Willie Tyler ... Virgil
Louis Carello ... Bozo (as Lou Carello)
... Pee Wee
... Corrine
... Nurse Degroot
... Dr. Lincoln
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Storyline

Sally Bender is the wife of a Captain in the U.S. Marine Corps. He is sent over to Vietnam, and Sally is alone. With nothing else to do, she decides to volunteer at a local veteran's hospital, where she meets Luke, who went to high school with Sally. Luke was wounded and is paralyzed and confined to a wheelchair. When Sally begins to fall in love with Luke, she has to make a crucial decision about her life. Written by Jwelch5742

Plot Summary | Add Synopsis

Taglines:

A man who believed in war! A man who believed in nothing! And a woman who believed in both of them!

Genres:

Drama | Romance | War

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

15 February 1978 (USA)  »

Also Known As:

Buffalo Ghosts  »

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Box Office

Budget:

$3,000,000 (estimated)

Gross USA:

$32,653,905
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Haskell Wexler: The Director of Photography appeared as the General during Captain Hyde's medal ceremony. See more »

Goofs

During the basketball game with the ventriloquist as the announcer, the microphone is at the puppets mouth, not the human. See more »

Quotes

Surveillance Man: She's got a nice ass for a white girl.
See more »

Crazy Credits

Four members of the film crew are designated as "Friends who did everything". See more »


Soundtracks

Once I Was
(1967)
Written by Tim Buckley (uncredited)
Performed by Tim Buckley
Elektra Records
See more »

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User Reviews

Timely and excellent portraits of two veteran soldiers of Viet Nam returning as changed men, confused and disillusioned, to a woman they each love and a U.S. they can no longer reconcile with the pre-war ima
30 May 2004 | by See all my reviews

Sadly and surprisingly relevant, "Coming Home" offers the perspective of one man who's war experience renders him not only paralyzed but unable to deny his own real life experience as a wartime soldier to the extent that he can continue supporting his government's patriotic dogma that one man should kill, torture or oppress other soldiers, men, women and children to defend motives he now views, from a wheelchair, as questionable. Awakening to this perspective is a woman who, attempting to aid the war effort and make herself useful during her husband's time of military service to his country, volunteers her time at the local Veteran's Hospital.

As she encounters the soldiers just returned battle with countless physical and psychological wounds too deep to enable their return to duty, she begins to understand the impossibility of their task to "get back to a normal life" and starts a longer journey out from under her own unquestioning acceptance of obeying principles that manufacture circumstances that make the peaceful pursuits of love and family inconceivable.

Her own husband does return to her, an officer who spent his tour of duty doing what he has accepted all of his life is the "right thing" for his country but he, too, is terribly damaged by what he has seen. When he discovers that he has returned to a wife that has broken both the sanctity of their marriage and the very foundation of their commonality as people - namely, upholding the belief that you must endure and inflict and perpetuate the tortures of Hell, itself, if your government demands it of you - he is unable to find a way forward in his life. As the last institutions that served as the structure of his sanity and happiness are wrenched out from under him, he faces a void too horrible to walk into and turns to the only way out that he can perceive.

This film is shot in what seems a sincere approach to relating the stories that were, immediately post-viet nam, being widely reported of and experienced by those U.S. men and women returning from service. It attempts, via narrative, to correlate them to the cultural experiences of the public. It seems to try to offer insight into the collective trauma inflicted by the very idea that war, as an institutional means of problem solving, is an acceptable and patriotic belief that merits the sacrifice of our lives and sanity.

Though the film definitely has its own perspective, it maintains respect for each of the characters represented. It remains the imperative of each viewer to decide the question for themselves.


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