| Cast overview, first billed only: | |||
| Jane Fonda | ... | Sally Hyde | |
| Jon Voight | ... | Luke Martin | |
| Bruce Dern | ... | Capt. Bob Hyde | |
| Penelope Milford | ... | Vi Munson | |
| Robert Carradine | ... | Bill Munson | |
| Robert Ginty | ... | Sgt. Dink Mobley | |
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Mary Gregory | ... | Martha Vickery |
| Kathleen Miller | ... | Kathy Delise | |
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Beeson Carroll | ... | Capt. Earl Delise |
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Willie Tyler | ... | Virgil |
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Louis Carello | ... | Bozo (as Lou Carello) |
| Charles Cyphers | ... | Pee Wee | |
| Olivia Cole | ... | Corrine | |
| Tresa Hughes | ... | Nurse Degroot | |
| Bruce French | ... | Dr. Lincoln | |
Sally Bender is the wife of a Captain in the U.S. Marine Corps. He is sent over to Vietnam, and Sally is alone. With nothing else to do, she decides to volunteer at a local veteran's hospital, where she meets Luke, who went to high school with Sally. Luke was wounded and is paralyzed and confined to a wheelchair. When Sally begins to fall in love with Luke, she has to make a crucial decision about her life. Written by Jwelch5742
The strength of "Coming Home" is its realistic portrayal of the emotional effects of war on individuals far removed from battle. In particular, the film calls attention to the difficulties, hardships, and trauma that paraplegic vets are forced to endure, as a result of governmental neglect. The emphasis here is on life after combat, upon returning home, and the ensuing experiences, personal feelings and relationships, and the drudgery of everyday life. More effective than dialogue, the close-up camera shots of character's faces effectively convey the psychological suffering, the scars, brought about by exposure to war. In this context, I thought Jon Voight's performance was quite good.
The subject matter is so totally ... not glamorous. Yet its importance is undeniable. And so, I respect this film for its intent and its sensitivity. The film's humanistic message is surprisingly relevant 27 years after its release.
That said, the film's screenplay is weak. The plot rambles and meanders. The love triangle seems incongruent with the heavy-duty political message. The film is anti-climactic from start to finish. You keep thinking something big is going to happen. Then at the end, the film dwindles, and eventually just fizzles out. Finally, the background music, an assortment of late 60's pop songs, is intrusive.
Overall, "Coming Home" is less about entertainment than it is about education. I'm not sure that I would choose this film to watch on a first date. But, I would choose it as part of a high school course in governmental ethics.