6.2/10
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54 user 35 critic

California Suite (1978)

Misadventures of four groups of guests at the Beverly Hills Hotel.

Director:

Herbert Ross

Writer:

Neil Simon (screenplay)
Reviews

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Won 1 Oscar. Another 4 wins & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jane Fonda ... Hannah Warren
Alan Alda ... Bill Warren
Maggie Smith ... Diana Barrie
Michael Caine ... Sidney Cochran
Walter Matthau ... Marvin Michaels
Elaine May ... Millie Michaels
Herb Edelman ... Harry Michaels (as Herbert Edelman)
Denise Galik ... Bunny
Richard Pryor ... Dr. Chauncey Gump
Bill Cosby ... Dr. Willis Panama
Gloria Gifford ... Lola Gump
Sheila Frazier ... Bettina Panama
David Sheehan ... David Sheehan
Michael Boyle Michael Boyle ... Desk Clerk
Len Lawson ... Frank
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Storyline

Four totally different and separate stories of guests staying at the Beverly Hills Hotel. Dame Maggie Smith and Sir Michael Caine come from England to attend the Oscars; Jane Fonda comes from New York City, Alan Alda is her ex who lives in California; in the slapstick part, Bill Cosby, Richard Pryor, and their wives come to the hotel to relax and play tennis, only to find there is only one room vacant; in the fourth segment, Walter Matthau arrives a day before his wife for his nephew's Bar Mitzvah while his brother (Herb Edelman) sends a prostitute to his room. Written by Jonathan (jrd@netvision.net.il)

Plot Summary | Plot Synopsis

Taglines:

CALIFORNIA SUITE promises to be loads of laughs and great fun. See more »

Genres:

Comedy | Drama | Romance

Certificate:

PG | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

22 December 1978 (USA) See more »

Also Known As:

Neil Simon's California Suite See more »

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Box Office

Gross USA:

$29,000,000, 31 December 1979
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

James Coburn: Uncredited, as the pilot in Diana Barrie's (Dame Maggie Smith's) in-flight movie on the airplane. See more »

Goofs

When Diane & Sidney stop in the bar and the bartender puts a dip tray in front of them, Sidney Double and Triple dips his chip. See more »

Quotes

[first lines]
[a two-seater plane is flying over snow-capped mountains]
Harold: For heaven's sake, Wendy - look for an airport. Will you look for the airport?
Diana Barrie: Oh don't make such a fuss. Just put it down on a mountain.
Harold: What do you mean 'just put it down'? I'm lucky I can keep it up. I told you I never flew before.
Diana Barrie: Don't shout at me - I'm a first-class passenger.
Harold: You're a first class lunatic. It's all over Wendy - our relationship has a quarter of a tank to go.
Diana Barrie: Yes, but - you do love me, don't you Harold? ...
[...]
See more »

Crazy Credits

In the opening credits, famous 70s artworks of British artist David Hockney are featured. The painting before Elaine May's name is entitled "Portrait of an Artist (Pool with two figures), 1972" and features a swimming pool with the Hollywood hills in the backdrop. The "two figures", both male, one swimming and the other standing over watching have been mysteriously edited out of the picture for some unknown reason. See more »

Connections

References From Here to Eternity (1953) See more »

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User Reviews

My brief review of the film
29 June 2005 | by sol-See all my reviews

An ensemble cast that dreams are made of is present in this film, and all deliver quite well, even Walter Matthau who goes a bit over-the-top. Smith deservedly won an Oscar for her role as a screen actress loses her first Oscar nomination in a very long career. As her husband, Caine is also good, but the next two best performances come from Fonda and Alda as a bickering divorced couple. Those four performers, however, only cover two out of four tales in this film, and the other two are not as well as acted and neither are they filled with the same quality of witty dialogue. It is bit weird to watch the overall film, as it becomes fragmented by the transitions between each of the stories, and towards the end the lesser interesting tales dominate. With just the Fonda/Alda and Smith/Caine stories, this is excellent, very well written stuff. With all four put together, it is still quite interesting stuff, but nothing too great.


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