Two gay men living in St. Tropez have their lives turned upside down when the son of one of the men announces he is getting married. They try to conceal their lifestyle and their ownership ...
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Nightclub owner Renato and his transvestite companion/lover Albin becoming involved with the local cops and foreign spies when Albin unwittingly gets his hands on a roll of stolen microfilm... See full summary »
Third and final film of the La Cage aux Folles series has Renato's drag queen lover Albin learning he can inherit a vast fortune from a distant relative. But the catch is Albin must marry (... See full summary »
Two gay men living in St. Tropez have their lives turned upside down when the son of one of the men announces he is getting married. They try to conceal their lifestyle and their ownership of the drag club downstairs when the fiancée and her parents come for dinner.Written by
Elisabeth Freeman <email@example.com>
Actor Ugo Tognazzi refused to speak most of his lines in anything but Italian, which cause no end of problems for director Édouard Molinaro, according to an interview on the Criterion release. He says he was forced to re-write Tognazzi's French dialogue to match his lips speaking in Italian and bring in a French voice actor to re-dub the lines. See more »
I have fond memories of this film. It played in Boston in 1979--back then I was a closeted high school kid. It played for over a year at a theatre in Boston and I was curious to see why. I somehow got in (the film was R rated and I looked about 14) and loved it! It was funny, uplifting, gay positive and made me realize there is nothing wrong with being gay. Seeing it again over 20 years later it's not as funny or uplifting as it once was but I still enjoyed it.
The plot is old hat and the movie is directed by the numbers but the script has some very funny lines and all the performances are great. Particularly funny are Michel Serrault (as the more feminine gay man) and Michel Galabru (as the minister of moral order). The final dinner party sequence is absolutely hysterical!
Some people have said this film has stereotyped gay characters and that Serrault's constant screaming is annoying. I disagree--I found nothing offensive about the characters (there are gay men like Serrault--I've met them!) and his screaming is actually pretty funny. A very good French farce--well worth seeing. Ignore the R rating--it only has that because of the subject matter (which was pretty risky for 1978). If it were rerated today it would easily get a PG-13.
Skip the two sequels and the Americanized remake "The Birdcage" in which they use the exact same script as the original--with all the same jokes and some bad new ones added in.
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