Ken Harrison is an artist who makes sculptures. One day he is involved in a car accident, and is paralyzed from his neck down. All he can do is talk, and he wants to die. In hospital he ... See full summary »
A quiet school truant officer, Joe, uncovers a young boy's attempt to fake a residential address, and subsequently gets involved romantically with the boy's mother. The truant officer ... See full summary »
The younger son of a working-class Jewish family in Montreal, Duddy Kravitz yearns to make a name for himself in society. This film chronicles his short and dubious rise to power, as well ... See full summary »
The movie centers on a piano competition whose winner is assured of success. It is Paul's last chance to compete, but newcomer Heidi may be a better pianist. Can romance be far away? Will ... See full summary »
A cocky Harvard graduate transports a load of marijuana from Boston to Berkeley, California. His girlfriend gets busted with the second load. He and a friend go against a dirty cop and a Cuban gangster to get the load and the girl back.
Robert F. Lyons,
In Los Angeles, Moses Wine, who was part of the counter-culture of the late 1960s at UC-Berkeley, still has those radical feelings but no longer does anything about them. His wife Suzanne, who has transformed from a 1960s hippie to a 1970s new-ageist, divorced him when his law school background didn't materialize into the upper middle class liberal life she was expecting, she having sole custody of their two young sons, with Moses having visitation rights. Moses fell into work as a private investigator of the gumshoe variety, which usually doesn't cover his monthly child support payments. After not seeing her for ten years, Moses is contacted by Lila Shea, an old girlfriend from Berkeley, to do some investigative work on behalf of her boss, Sam Sebastian, the Southern California coordinator for the gubernatorial campaign of Congressman Miles Hawthorne. Lila felt Moses would be well suited to the job because of running within "the" crowd at Berkeley, even if only knowing the main ...Written by
I am a fan of the 1970s semi-genre of throw-back style detective movies. My favorites are Robert Benton's "The Late Show" and Robert Altman's "The Long Goodbye". "The Big Fix" doesn't come close to those films. It's watchable but only barely. Richard Dreyfuss does a nice job but the story is weak and uninteresting. Dreyfuss' character is strong but he's surrounded by a bunch of bland or unnecessary supporting characters. "The Big Fix" does have a few nice moments but not enough to make it worth while. Dishonorable mention: the annoying Aunt.
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