In the waning days of World War II, the United States Navy cargo ship Reluctant and her crew are stationed in the "backwater" areas of the Pacific Ocean. Trouble ensues when the crew members are granted liberty.
It is 1957. J.C. Cullen is a young man from a small town, with a talent for winning at craps, who leaves for the big city to work as a professional gambler. While there, he breaks the bank ... See full summary »
The patriarch of a family-owned corporation hires a young race car driver to help him design a fuel efficient car in secrecy. They face resistance from the president of the company (the patriarch's grandson), who wishes to eliminate the motor car division because of bad blood between himself and his grandfather. During flashbacks, a parallel set of problems is revealed in the family's past, problems that persist into the present, and the race car driver gets deeper into the web of deception and corporate intrigue.Written by
Ed Sutton <email@example.com>
Lorimar/Allied Artists Pictures hired William Bast to write the screenplay, after rejecting an earlier treatment. Bast was primarily a writer for television productions (series, television movies, and mini-series), but this movie was his third, and final, theatrical movie screenplay, and Bast is credited along with Harold Robbins, and prolific Screenwriter Walter Bernstein. See more »
Angelo, I don't want anyone else to get hurt. I'm giving up the Betsy.
I've seen people broken before, and it's not gonna happen again. The next funeral I want to attend is my own.
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Imagine a 1970's TV mini-series with added scenes of nudity and adult language and a somewhat bigger budget and the result is "The Betsy". Based on one of the gazillion cookie-cutter novels of Harold Robbins, the film looks and sounds just like a mini-series that slipped by the censors. Olivier (in the midst of one of his WORST periods for hammy overacting which also includes "The Boys From Brazil" and "The Jazz Singer") is a mega-rich automobile tycoon who has been ousted from his company to live in sedate luxury, albeit in a wheelchair. He follows the racing career of Jones closely and, after a nasty accident, convinces him to come and work for him in creating the third international car (after the Model T Ford and the Volkswagen.) This one is to be called The Betsy after his great-granddaughter Beller. Unfortunately, his nefarious grandson Duvall runs the company and doesn't want something as bothersome as a car to interfere with his profits from diversification into such products as dishwashers. This sets up a heated rivalry between Jones and Duvall. While this contemporary story plays out, Olivier flashes back to the 1930's when he was at his peak of power and he had his way with various women. Here, he contends with wimpy son Rudd and Rudd's lovely wife Ross who will one day give birth to Duvall. The stories play out alternately until the end when various connections detail how one tale is directly related to the other. The cast is fairly stellar for the most part, though few of the actors make any great impact. Olivier speaks in an inane and unexplained accent and overemotes ridiculously throughout. Fortunately, he's still rather entertaining nonetheless as his character gets several amusing things to say in the film. Jones is appealing and considerably more low-key than Olivier (anyone would be!) His fans will be surprised to see him in this traditional leading man type of role (and sporting an impressively chiseled torso.) Duvall (who, for some reason, appears shorter in this film than at any other point in his career!) nibbles his own share of the scenery as he tries to stay afloat in the melodramatics. Alexander retains her dignity as his neglected wife and Ross looks about as good as she ever did as his mother in the flashback scenes. A welcome dose of glamorous bitchery comes in the form of opportunistic and promiscuous Down. Her various high fashion costumes also bring occasional titters. Beller (the same chipmunk who would eventually land on "Dynasty" for a while in the '80's) is an acquired taste. Her Kewpie face and waist-length hair can annoy, yet her bare-everything swimming pool scene has earned her a few fans. She has one particularly ugly canary yellow dress which assaults the senses as well. Many other familiar actors pop in along the way including Swenson, Robert Guillaume's old sparring partner from "Benson". The title car seems a little goofy (people are supposed to drive around in a compact car that has Betsy emblazoned on the side?) and some of the dramatics seem pretty pointless. Maybe it was the time the film was made. The whole thing is a trashed-up precursor to "Dallas" and "Dynasty". There's even a stilted and tentatively presented homosexual relationship thrown into the mix. The sets, budget, costuming and cast elevate it to some degree and there are many unintentional laughs along the way. It is more than a little disconcerting, however, to see "Wuthering Heights" Heathcliff banging a French maid on his bed while his wife is downstairs carrying out a wedding reception for their son!
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