Oscar West is killed when his power boat blows up during a race, where the Saint has seen a shifty character of his acquaintance. Oscar's widow Annabelle sets off for the French Riviera to collect '...
John Steed and his new accomplices Purdey and Gambit find themselves facing new and deadly dangers in the bizarre world of espionage. Mixing fantasy with a darker edge, the trio face ... See full summary »
Craig Stirling, Sharron Macready and Richard Barrett were agents for Nemesis, an international intelligence organization based in Geneva. Their first mission as a team was to investigate ... See full summary »
Bodie and Doyle, top agents for Britain's CI5 (Criminal Intelligence 5), and their controller, George Cowley fight terrorism and similar high-profile crimes. Cowley, a hard ex-MI5 operative... See full summary »
When Sharpe is ordered to whip the King of Spain's Irish Royal Brigade into shape, he faces dissent from the men who believe the British are slaughtering their relatives in Ireland and a spy from within.
Sharpe is a Captain saddled with the South Essex, a battalion run by incompetents, and filled with soldiers who have never been in battle. When the South Essex loses its colors (its ... See full summary »
1813. Major Sharpe's old enemy, Major Ducos manipulates a beautiful young marquesa into falsely accusing Sharpe of rape. Her husband calls Sharpe out in a duel. But when the husband is ... See full summary »
Simon Templar is a modern day Robin Hood of sorts. He steals from rich criminals and keeps the loot for himself (usually in such a way as to put the rich criminals behind bars). He's dashing, suave, charming, and he's always one step ahead of the bulldog-like Inspector Claude Eustace Teal. This series chronicles his swashbuckling exploits.Written by
Based on his performance in this series, Ian Ogilvy was at one point a leading contender to replace another former Saint, Roger Moore, as James Bond. See more »
The versions shown on Swedish, Italian and British TV carried different theme tunes. The one in the UK was an instrumental, the one in Sweden and Italy was a song performed by "Oliver Onions". See more »
The Return of the Saint sits uneasily alongside both the previous ITC series and contemporary programmes of 1978, being a hybrid of the two. The location shooting and updated theme music compare with the most recent programmes, but the clichéd plots and much of the scripts/acting belong in the glory days of ITC a decade or so previously, when they were more believable to the audiences.
Staged set-pieces with buffoonish villains were now dated and improbable rather than stylish and entertaining. The same character actors involved could often be seen in such as The Sweeney and The Professionals doing fight scenes far more realistically.
There are likely several reasons why the programme did not extend beyond one series. Ian Ogilvy perhaps seemed a bit youthful compared to Roger Moore but his performances were fine and the programme was certainly popular at the time. The Grade Organisation (incorporating ATV/ITC) had not really moved on by the late-1970's, with its output still consisting of 1960's style caper/adventure movies/TV shows when almost everything else had moved towards a grittier realism. It was probably very expensive to make and worldwide sales might not have been good overall.
It is difficult to imagine ATV/ITC making shows with gratuitous violence and foul language and we should be thankful that they didn't. Their output, like the Hammer & Carry On films in the same period, had a brand quality and style particular to its maker and era. But by the late 1970's that era had gone and their empire was about to disintegrate.
That said, The Return of the Saint was not a bad way to depart being entertaining in the best tradition of ITC, with good guest actors complimenting the competent Ogilvy. Remember also that the seemingly more realistic Professionals had many ridiculous plot situations and equally has a mixed though generally favourable reaction when being assessed by critics.
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