A young English girl in Monte Carlo falls in love with a rude, handsome stranger who proposes to her and rescues her from the drudgery of being a hired companion. But when he takes her to ...
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A naive young woman moves into the mansion that belongs to her new husband, a rich widower. She soon realizes the memory of his deceased first wife maintains a grip on her husband, as well as the staff of servants.
Holmes, his friend Watson (or his brother Mycroft) work to solve the mysteries of The Three Gables, The Dying Detective, The Golden Pince-Nez, The Red Circle, The Mazarin Stone, and The ... See full summary »
A horror novelist and his wife go to a house in the country for a short vacation. However, they soon find that one of his novels is coming true when they are haunted by the ghost of a drowned ferryman.
A young English girl in Monte Carlo falls in love with a rude, handsome stranger who proposes to her and rescues her from the drudgery of being a hired companion. But when he takes her to his country estate, Manderly, all her confidence disappears, especially in the face of Maxim's dour and mysterious housekeeper, Mrs. Danvers, and as odd rumors reach her, the second Mrs. de Winter decides to find out everything she can about her predecessor, Rebecca.Written by
Intense atmosphere, visual beauty, mystery and emotion.
Haunting, Debussy-derived music.
Breath-taking evocation of the dazzling scenery around Monte Carlo, and then of the paradisal estate on the Cornish coast, Manderley - for which Maxim has sold his soul. (The estate - house, gardens, azaleas, beach, boathouse, butler and maids - is so convincing that you have to believe the story is real too.)
Poignant imagery of flowers: exotic, red blooms associated with Rebecca, and wild flowers with the new Mrs de Winter.
And always the threat that the sea will give up its dead.
Unsurpassable performances from the three principals: Jeremy Brett, Joanna David and Anna Massey. All three characters far more deeply analysed than in the Hitchcock movie, and Mrs Danvers no less sympathetic than the others.
Hitchcock changed the manner of Rebecca's death, but this version faces up to what really happens in the book.
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