The finale of the television series about Dr. David Banner, a scientist who transforms into a mighty, larger-than-life creature called the Hulk when he gets angry. Desperately attempting to... See full summary »
A year after Liberation Day, courtesy of the red-dust bacteria, the humanoid, lizard-like aliens develop a resistance to the micro-organism and try to regain control of the Earth--only now some humans are knowingly working with them.
A wealthy mystery man named Charlie runs a detective agency via a speakerphone and his personal assistant, John Bosley. His detectives are three beautiful women, who end up in a variety of difficult situations.
Dr. David Banner is a brilliant scientist but, one day, a laboratory experiment that he is working on goes terribly awry. Since that time, whenever he is under extreme stress, his body undergoes a transmogrification and he morphs into the Incredible Hulk. The Hulk is about seven feet tall, hugely muscular and powerful, and has bright green skin. After destroying whatever threatens Dr. Banner, he morphs back to normal human form with only amnesia and tattered clothing as evidence of what just transpired. As you can well imagine, this situation is quite troubling for Dr. Banner and causes him a great amount of problems. All the while, he is pursued by Jack McGee, an investigative reporter who believes that the Hulk is a deadly menace whose exposure would enhance his career.Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
The late 1970s was a time when different "Marvel" Comic superheroes were adapted for TV. The likes of Spider-Man, Captain America and Doctor Strange would make their live action debut on the small screen. Unfortunately, the latter two characters failed to progress past the "feature length pilot" stage. See more »
When the Hulk breaks through a brick wall, (typically at the end of the show) the clothing that he wears changes between his approach to the wall, and to the view of him running down the alley, and this is repeated in several different episodes, which clearly looks like the same stock footage being re-used. See more »
In the opening sequence, the lit up gamma ray display can be seen with the word "anger" on it, which is zoomed out to show the full word is "danger". See more »
_Incredible Hulk, The (1977) (TV)_ (The pilot), _Incredible Hulk: Death in the Family, The (1977) (TV)_ and _Incredible Hulk: Married, The (1978) (TV)_, which all originally aired as two-hour TV-movies, are edited for syndication, allowing each installment to be seen as two-part episodes. See more »
My comments refer to the first season of The Incredible Hulk since it's the only one readily available as of yet.
Although the shows are fairly simple and monotonous they're very entertaining. Dr. Banner travels cross country hoping to some day finding a cure for his condition but along the way he gets into all sorts of trouble that forces the Hulk to surface and square matters. Every episode ends with David leaving before relentless reporter Jack McGee tracks him down.
The shows are made with passion, that's evident. Good quality writing for the most part, well done action sequences (compared to a 70's TV show anyway), compelling story lines in most episodes, nice location crew work and fantastic actors. As said, the premise is fairly simple as David transforms about 20-25 min. into each episode and during the climax. Also, he somehow manages to get into a whole lot of trouble by just being at the wrong place at the wrong time.
The first season shows are not all great and do showcase the limitations budget wise. The episode "Never give a trucker an even break" shamelessly borrows footage from Steven Spielberg's Duel, even the classic ending is fitted into the storyline. "Earhquakes happen" borrows quite a lot from Earthquake, the 70's disaster flick, but that's not as blatant as the previous example. Also there is a lot of stock footage used every now and then. Sometimes it's little snippets of Hulk action and sometimes it's David on the road hitchhiking.
But these quirks aside, there is a lot of professionalism on board here and a big effort put into making each episode. Series that are constantly on the road are expensive as there are no sets that can be used often and studio work is minimal. Instead viewers get a show that's always bringing new scenery in late 1970's America and the "on the road" feel has a big charm about it.
The Las Vegas episode "The Hulk breaks Las Vegas" is a personal favorite. Has some knockout Hulk action and a well written and suspenseful near confrontation between McGee and Banner. "747, The Waterfront story, Terror in Times Square and Life and Death" are all well written and produced episodes that should give a good example as to why the series has such a good afterlife.
And finally the cast is perfect. I doubt seriously that viewers would be as interested in David's quest had he not been played by Bill Bixby. Not only was Bixby a real quality actor with good range but also an irresistibly appealing guy who you find easy to sympathize with. Jack Colvin is also excellent as McGee, a convincing and charming actor who had a great presence on the episodes he was featured in. And Lou Ferrigno was the best possible choice to play the green giant. Managing to be both menacing and sincere is his depiction of David's primal side, he's simply great on the shows.
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