J.R. Ewing, a Texas oil baron, uses manipulation and blackmail to achieve his ambitions, both business and personal. He often comes into conflict with his brother Bobby, his arch-enemy Cliff Barnes and his long-suffering wife Sue Ellen.
The residents of Knots Landing, a coastal suburb of Los Angeles, deal with various issues such as infidelity, health scares, rape, murder, kidnapping, assassinations, drug smuggling, corporate intrigue and criminal investigations.
It has been two years since Bobby and Sue Ellen Ewing took over control of Ewing Oil. Although J.R. is successfully managing a large oil conglomerate, he wants to once again own his ... See full summary »
Five years after J.R. Ewing lost Ewing Oil and apparently committed suicide, he turns up alive and well. He returns to Dallas and plots to bring his family back together, and regain control of Ewing Oil from his archenemy Cliff Barnes.
Popular evening soap opera-style television drama. The show was set in Dallas, Texas and chronicled the exploits of wealthy Texas oil millionaires. Many of the plots revolved around shady business dealings and dysfunctional family dynamics.Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
In several of the early episodes of the series, Lucy (Charlene Tilton) and Ray (Steve Kanaly) were often portrayed as lovers. However, when it was revealed that Ray was Jock's illegitimate son, and therefore Lucy's uncle, his affair with Lucy was never mentioned again. See more »
You wouldn't be trying to blackmail old J.R., would you?
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When Dallas was aired for the first times in the 80s I was a child and I couldn't appreciate it yet. Since last September, when a satellite channel proposed again this Soap Opera, I had a small crush of it. I became fond of J.R.'s intrigues, his rivalry with Bobby and Cliff Barnes, the beautiful Pamela and nice Miss Ellie.
Dallas' strength is the plot. Not completely concerned about love and betrayals (typical but annoying), the Ewing Oil battles can move even the male audience transforming the Soap in a TV-series. Jim Davis' death (the mythical Jock, R.I.P.) put a lot of fuel in the "engines" with the legacy questions and relations getting worse. J.R.'s Machiavellian plans filled the script of amusing and caustic irony, always enjoyable.
The recitative level wasn't so great; all the actors, actually, had their height in this series, but the general quality is decent. Except for Ken Kercheval and Steve Kanaly, which proved to be good actors giving a great shape to their characters, challenging J.R. at any cost. Special mention to Charlene Tilton, which is really beautiful and should have had greater relief in the story.
Ending too late, in 1991 (2-3 years too many), the story was slowly plagued by script tricks and poorly credible deaths or departures, compromising its heritage made of several Emmys and 1 Golden Globe won.
6,5 / 10
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