In 1756, a young Arapahoe child learns his father has been killed in battle and is taught the lesson that 'only rocks live forever'. The child is called Lame Beaver. 1795, a French-Canadian trapper ...
As the Civil War is fought between the North and South, militia colonel Frank Skimmerhorn arrives in Colorado on a mission to wipe out the Indians. Major Mercy struggles to keep the peace while the ...
This is the sequel to the mini-series, RICH MAN, POOR MAN. It begins with Rudy Jordache apprehending the man who killed his brother, Falconetti. He then also takes in his nephew, Wesley. He... See full summary »
James Carroll Jordan
This mini series covers 60 years in the lives of the Cleary family, brought from New Zealand to Australia to run their aunt Mary Carson's ranch. The story centers on their daughter, Meggie,... See full summary »
James Onedin marries Anne Webster in order to get his hands on a ship. However the marriage turns out to be one of true love. James is ruthless in his attempt to get a shipping line started... See full summary »
This is the story of the evolution of the town Centennial, Colorado. It follows the paths of dozens of people who come to the area for many reasons: money, freedom, or crime. It also shows the bigoted treatment of the Native Indians by the advancing U.S. colonists. It is topped off with a murder mystery that takes one hundred years to solve.Written by
Tony Berkoff <firstname.lastname@example.org>
Robert Conrad worked with a dialect coach in order to talk with an authentic French Canadian accent. See more »
During the "Winds of Fortune" segment, Clemma Zendt returns to town on the train. It is a long scene but the train cars keep changing even though the train never leaves town. One time there are passenger cars, a bit later there are stock cars, then there are no cars and then there are passenger cars again. All within a few elapsed minutes of action from the same scene. See more »
I strongly agree that Centennial is arguably the best mini-series ever made. The production is top drawer, with wonderful locations, costumes, musical score, cast, and direction. It is at its best from the beginning up through the cattle drive segment, and weakens somewhat thereafter, especially at the end. This is a small criticism, however. The one particular thing that has always stuck in my mind over the years is the incredible, standout performance by Robert Conrad as Pasquinel. For most of his career, his best work was in lighter vehicles such as "The Wild, Wild West," and never distinguished by any particular depth of characterization. In the role of Pasquinel, however, Conrad delivered a performance of which any actor could be justly proud. He gives the character all of the realism and believability one could possibly want, and conveys the qualities, both good and bad, which make Pasquinel such a compelling figure. If only for that performance alone, Centennial is well worth watching.
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