The intertwined lives of two women in 1970s France, set against the progress of the women's movement in which Agnes Varda was involved. Pomme and Suzanne meet when Pomme helps Suzanne ...
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Jacquot Demy is a little boy at the end of the thirties. His father owns a garage and his mother is a hairdresser. The whole family lives happily and likes to sing and to go to the movies. ... See full summary »
What does being a woman really mean? How do women live the status society reserves for them? A group of women, beautiful or not, young or not, gifted with motherly instinct or not, answer before Agnès Varda's camera.
There are two parts to this film: sequences of life in the fishing village of La Pointe Courte (a government inspector's visit, the death of a child) alternate with others following a ... See full summary »
"I'll look at you, but not at the camera. It could be a trap," whispers Jane Birkin shyly into Agnès Varda's ear at the start of JANE B. PAR AGNES V. The director of CLEO FROM 5 TO 7 and ... See full summary »
Mary-Jane asks, "Do all women fall in love with a boy, or just those without sons?" She's divorced with two daughters, Lucy and Loulou. Lucy has a party where Mary-Jane notices Julien, 14, ... See full summary »
The intertwined lives of two women in 1970s France, set against the progress of the women's movement in which Agnes Varda was involved. Pomme and Suzanne meet when Pomme helps Suzanne obtain an abortion after a third pregnancy which she cannot afford. They lose contact but meet again ten years later. Pomme has become an unconventional singer, Suzanne a serious community worker - despite the contrast they remain friends and share in the various dramas of each others' lives, in the process affirming their different female identities.Written by
Alison Smith <firstname.lastname@example.org>
The highly acclaimed French filmmaker Agnes Varda, who recently passed at the age of 90, wrote and directed this sweeping saga. It centers on the friendship of Pauline (Valerie Mairesse) and Suzanne (Therese Liotard) over the course of two decades the 1960's and 70's.
The two women will occasionally meet over the years but a lot of their communication will be by postcard. They're both active feminists and willing to help other women with pregnancies and actions to take against what they consider to be oppressive abortion laws, giving the film relevance in today's times.
Overall, I just found this movie to be bristling with vitality, but presented in a low-key style, as the two women grapple with relationships, families, and life itself. The acting by Mairesse and Liotard, and the supporting cast, is natural and their characters believable, in my opinion. For those viewers that enjoy sweeping foreign films there's a lot to like here.
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