Based on Michael Chabon's novel, the film chronicles the defining summer of a recent college graduate who crosses his gangster father and explores love, sexuality, and the enigmas surrounding his life and his city.
Pittsburgh, coming of age in the 1980s. At the beginning of June, Art Beckstein calls this the last summer of his life - after which he'll work as a stock broker. Art's father is the city's mob boss, steering Art's life, judging his choices. At a party, Art sees Jane, smart, blond, lovely. They meet; she has a boyfriend. The next day, Cleveland, the boyfriend, pulls Art from work and the summer of adventures begins. Cleveland lives close to the edge; he's explosive, with hints of problems with local thugs. The triangle of friendship gets complicated when Cleveland disappears for a couple weeks. Can Art sort out his feelings as well as help Cleveland? Where does his father fit in this?Written by
Actress Sienna Miller also worked with Mena Suvari in the movie Factory Girl (2006). See more »
When Art and Phlox are fighting after his first meeting with Cleveland, she says that it is past midnight. But when Art puts his hand to his face, you can see his watch is showing 8:15 as the time. See more »
Dead Will Rise
Written by Phil Boyd, Jason Kirker and Paul Quattrone
Performed by Modey Lemon
Courtesy of Modey Lemon See more »
Trying to be an indie cool movie - and failing
Based on the novel by Michael Chabon, The Mysteries of Pittsburgh is about the young son of a notorious gangster who spends his last teenage summer roaming around with two friends. The year is 1983, and young Art Bechstein (Jon Foster) is at a crossroads. Completely opposed to his father's lifestyle, Art plans to become a stockbroker. Visually contrived with painful attempts to create beautiful hip indie cinematography, the whole film feels like the director - whose previous effort Dodgeball was funny if outright commercial - is desperately seeking indie credibility by cobbling together aspects of other indie films but sprinkling it with stars like Mena Suvari, Sienna Miller and Nick Nolte. Like so many of the star-laden premieres at Sundance this year it felt like this was a secrety studio-sponsored vanity project to help the director earn some indie credibility points - it failed in that respect and as a film in its own right.
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