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Suspiria (1977)

R | | Horror | 12 August 1977 (USA)
An American newcomer to a prestigious German ballet academy comes to realize that the school is a front for something sinister amid a series of grisly murders.

Director:

Dario Argento

Writers:

Dario Argento (screenplay), Daria Nicolodi (screenplay)
Reviews
Popularity
593 ( 411)

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3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jessica Harper ... Suzy Bannion
Stefania Casini ... Sara
Flavio Bucci ... Daniel
Miguel Bosé ... Mark (as Miguel Bosè)
Barbara Magnolfi ... Olga
Susanna Javicoli Susanna Javicoli ... Sonia
Eva Axén Eva Axén ... Pat Hingle
Rudolf Schündler ... Prof. Milius
Udo Kier ... Dr. Frank Mandel
Alida Valli ... Miss Tanner
Joan Bennett ... Madame Blanc
Margherita Horowitz Margherita Horowitz ... Teacher
Jacopo Mariani Jacopo Mariani ... Albert
Fulvio Mingozzi Fulvio Mingozzi ... Taxi Driver
Franca Scagnetti Franca Scagnetti ... Cook
Edit

Storyline

Suzy Bannion travels to Germany to perfect her ballet skills. She arrives at the Tanz dance academy in the pouring rain and is refused admission after another woman is seen fleeing the school. She returns the next morning and this time is let in. She learns that the young woman she saw fleeing the previous evening, Pat Hingle, has been found dead. Strange things soon begin to occur. Suzy becomes ill and is put on a special diet; the school becomes infested with maggots; odd sounds abound; and Daniel, the pianist, is killed by his own dog. A bit of research indicates that the ballet school was once a witches' coven - and as Suzy learns, still is. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

The Most Frightening Film You'll Ever See! See more »

Genres:

Horror

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Italy

Language:

Italian | Russian | English | German | Latin

Release Date:

12 August 1977 (USA) See more »

Also Known As:

Dario Argento's Suspiria See more »

Company Credits

Production Co:

Seda Spettacoli See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (35 mm optical prints)| 4-Track Stereo (35 mm magnetic prints)| Quadrophonic (Circum-Sound) (Japan theatrical release)

Color:

Color (Eastmancolor) (prints)| Color (Technicolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

After completing the specialized color work on this production, Technicolor Rome reportedly dismantled their remaining three-strip equipment. See more »

Goofs

When we see the killer's hands, they are shown to have huge, long black fingernails. In a following scene where the victim is stabbed, the fingernails are now normal. See more »

Quotes

[first lines]
Narrator: Suzy Banyon decided to perfect her ballet studies in the most famous school of dance in Europe. She chose the celebrated academy of Freiburg. One day, at nine in the morning, she left Kennedy airport, New York, and arrived in Germany at 10:40 p.m. local time...
See more »

Crazy Credits

You have been watching "SUSPIRIA" See more »

Connections

Referenced in The Killing of America (1981) See more »

Soundtracks

Markos
Adapted from "Music in Similar Motion" by Philip Glass
Arranged by Claudio Simonetti, Fabio Pignatelli, Agostino Marangolo and Massimo Morante
Performed by Goblin
See more »

Frequently Asked Questions

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User Reviews

 
A masterpiece of the horror genre
7 January 1999 | by lordrobSee all my reviews

I've seen hundreds of horror films (including all of Argento's work), and *Suspiria* is my unequivocal favorite. It is not a perfect film, but it comes closer than any other film in the genre. Everything until the last few minutes is masterfully orchestrated, combining skillful direction with chilling cinematography, not to mention a score that ties my stomach into knots every time I hear so much as a snip of its odd techno-funk beat. Unfortunately, the voice of the witch at the end turns masterful horror into overriding cheese, making the tagline ring all too true: there is *nothing* more terrifying on film than the first ninety minutes, but the last few fall somewhat short of genius.

That fact notwithstanding, *Suspiria* is a fine example of how horror movies should be made, and I sincerely hope that any director or screenwriter contemplating a horror film first sits down to watch this one so they can be reminded that the horror genre properly contains a good deal more than the simple-minded slasher flick that has become all-too-typical in American theaters. After all, no less a filmmaker than Wes Craven seems to have followed this advice, and it allowed him to move from such pitiful efforts as *A Nightmare on Elm Street* to *Scream*, the first (and thus far only) classic horror film of the 90's.


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