After witnessing the murder of a famous psychic, a musician teams up with a feisty reporter to find the killer while evading attempts on their lives by the unseen assailant bent on keeping a dark secret buried.
A young couple moves in to an apartment only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins to control her life.
Suzy Bannion travels to Germany to perfect her ballet skills. She arrives at the Tanz dance academy in the pouring rain and is refused admission after another woman is seen fleeing the school. She returns the next morning and this time is let in. She learns that the young woman she saw fleeing the previous evening, Pat Hingle, has been found dead. Strange things soon begin to occur. Suzy becomes ill and is put on a special diet; the school becomes infested with maggots; odd sounds abound; and Daniel, the pianist, is killed by his own dog. A bit of research indicates that the ballet school was once a witches' coven - and as Suzy learns, still is.Written by
It is often assumed that, to achieve the rich color palette, the film was shot using the outdated three-strip Technicolor process. This was, in fact, not true. No film made after the mid-1950s was shot using this method. This film was instead shot on normal Eastmancolor Kodak stock, then printed using the three-strip Technicolor process, utilizing one of the last remaining three-strip machines. This issue has been confused somewhat by the fact that, on the 25th anniversary documentary featured in the three-disc DVD set, a discussion of the printing process by cinematographer Luciano Tovoli was followed by a diagram showing a three-strip camera. See more »
When Pat is drying off, we see through the window, some washing hanging on the line. Then in an outside shot, we see the same washing, but now arranged differently. See more »
Suzy Banyon decided to perfect her ballet studies in the most famous school of dance in Europe. She chose the celebrated academy of Freiburg. One day, at nine in the morning, she left Kennedy airport, New York, and arrived in Germany at 10:40 p.m. local time...
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A German ballet school for girls is the setting for mysterious deaths, in this 1977 horror story, written and directed by Dario Argento. "Suspiria" is a visually stunning film.
The images contain objects we recognize, like people, buildings, and interior decor. But the objects seem vaguely menacing, and less real than surreal, as though they symbolize ideas, repressed desires, or subconscious fears. The vivid, rich colors, strange camera angles, deep shadows, and bright light piercing through darkness, all contribute to the impression that the viewer is trapped in someone else's nightmare.
One haunting segment of the film takes place in a huge, and strangely empty, public square, at night. A blind man and his German shepherd dog stand in the middle of the square, surrounded by imposing buildings of neo-classical architectural style. Some professional reviewers of this film have suggested that the public square is a veiled reference to Hitler and Nazism. Indeed, one could argue that the film's subtext is an indictment of fascism.
"Suspiria" is not for everyone. It is unsettling, and at times grisly. The plot is weak, and plot elements are not really explained. The acting is largely irrelevant. And while the background music is suitably gothic, it is also frantic and monotonous.
The best approach to this "art-house" film is to ignore the superficial plot, and focus instead on the fabulous cinematography, and the gothic images as conceptual metaphors.
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